Are you tired of writing dull, lifeless dialogue? Do you struggle with finding the balance between too much and not enough explanation? Want to create characters that feel like real people? And what about historical dialogue-- how do you capture the essence of a different time? Can dialogue effectively deliver exposition? What, exactly, is "on the nose" dialogue, and why should we avoid it? And the age-old question: to swear or not to swear? Look...
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Language Arts