World Tales: The Extraordinary Coincidence of Stories Told in All Times, in All Places

Have you ever been intrigued by the fact that people in the most remote and separated regions of the world all tell the same stories? That the Algonquian Indians had a version of "Cinderella"? That the Japanese have a story called "The Man with the Wen" which is exactly the same as an Irish story called "The Hunchback and the Fairies?" This collection was made by Idries Shah, one of the most colourful, enigmatic figures of the latter 20th century. Other books of his also show an impressive knowledge of world folklore. His selection is deliberately diverse, not only in geography but in style, ranging from oral versions so sketchy as to be barely comprehensible, to Hans Andersen's flowery, embroidered versions. Each story gets a brief but fascinating introduction. I happen to share Shah's opinion. Real stories are teachings: their meanings are not moral, and not based on any religion or philosophy. They speak to a part of the mind that receives them whether we realise or not. If you could put it in words, the message would be one of Hope. The clueless youngest brother marches out into the world with no money and no skills but Somehow marries the princess. Cinderella dresses in rags and slaves for her sisters yet Somehow marries the prince. The prince delays his all-important Quest to help suffering creatures, and finds that Somehow they have exactly the skills he needs to help him succeed in the end. Parents, in this world of TV, DVDs, computer games, the Internet, and dead, hollow non-stories, please read your children, not just the stories in this book, but stories like these. Why should the poor little tykes miss out on a precious heritage preserved by millions of people for thousands of years? Remember that not all versions are suitable. Few children now could tolerate Andersen's long-windedness, for instance: look for illustrated retellings.

In his introduction to this collection, author/editor/collector Idries Shah explains the difference between this book and other collections of worldwide folktales. Says Shah, "It is quite usual to find collections of tales arranged according to language or country". One need only scan their local library to prove that this is indeed the case. Books like this abound. Far less common, however, are books that acknowledge the similarities between different stories around the world. We are all familiar, on one level or another, of the different types of Cinderella stories found in every culture from Vietnam to Scotland. Less well known are stories like "The Bird Maiden" found in "The Arabian Nights" and told amongst some Southern American Indians. Collector Idries Shah marvels at the extraordinary connections between different cultures held together by similar stories. How did these stories get around as widely as they did? Is there some innate connection between all human beings that allows them to make up similar tales? As if in answer, Shah has used his thirty-five years of experience working with written and oral sources to present sixty-five tales. Each tale can be found in several different cultures with slight variations. Yet in spite of their subtle differences, each story is undoubtedly related to another, a fact that may give you reason enough to pause. Originally published in 1979, the book is not without some factors that date it. I am referring, of course, to its accompanying illustrations. For the most part, these are lush lavish affairs. Having read portions of this book as a child, certain images presented here have effectively embedded themselves in my tiny brain for years and years. I could recall perfectly the vision of Death rising from its fig bottle prison, the Gollum-like Ghoul that crouches in a tree, or even the image of Psyche on the rocks approached by Cupid. Looking at it now, however, I was a little shocked by some extremely dated illustrations here and there. In a tale called "The Traveling Companion" a picture that looks like nothing so much as a poorly airbrushed rock n' roll cover (complete with a hot winged babe) accompanies the story. In "Catherine's Fate" (a tale I love because it involved the conceit of deciding whether the first half or second half of your life should be the happiest) we see an odd MTV-like scene that looks like it's part Poltergeist part Exorcist. You get the picture. Fortunately, even the most ludicrous illustrations in this tale are still gorgeous and worth at least a glance. Utilizing the talents of some 37 illustrators, these tales get the attention they so greatly deserve. Each tale in this book is preceded by a small explanation of its history, its meaning, and where you can find it throughout the world. Shah is good about citing his sources, for the most part. After reading his version of "The Algonquin Cinderella" I was amazed at its similarities to Rafe Martin's p

I learned to love words through this book, and to appreciate things for being simply beautiful. I spent many evenings of my childhood budgeting out my pre-bedtime reading based on how long each story was. I read and re-read them all, smoothing out the pages under the sheet, and reading by flashlight long after my bedtime. My beautiful illustrated (practically illuminated) edition got lost along the way, and though I buy this one as a temporary replacement, I hope to find my favorite, colorful childhood tome in time for my first child.

This book is far and away one of my favorites from childhood. The background story tells how the myth evolved and how different ethnic groups have variations on the original. I cried the day my illustrated copy was destroyed in a flood. The pictures were beautiful, but at least the creative stories still remain.

All three of my daughters loved this book and requested it over and over, far above any other book, for years as they grew. It has many strong female protagonists. The premise is that there are certain stories that recur in the folk-tales of many cultures, at many times and places. These stories have a quality of timelessness, and universal appeal and fascination. Two of our favorite stores are "The Mastermaid," and "The Algonquin Cinderella." I love the book for its premise of certain stories having a defining, basic, yet surprising way of describing the human experience.