Women in Purple

Among professional historians, Byzantium is often viewed as a field of study for the specialist. Most primary sources are not translated and lack critical editions. Secondary literature is often difficult to obtain. Judith Herrin is a respected Byzantinist, who has worked in the field for a number of years. While some scholars may disagree with Herrin's historical interpretations, approaches to specific subjects, and citations of certain facts, her work on Byzantine imperial women should be regarded as an attempt to recreate and convey for the general reader the personal experience of women's life in the imperial courts of eighth- and ninth-century Byzantium.The three main subjects of her study are the lives of the Byzantine empresses Irene, Euphrosyne, and Theodora. In each case, the book details their relationship to power and their influence on dynastic struggles, particularly emphasizing iconoclasm and the Empire's responses to foreign invasions. The author prefaces her discussion of these lives with an overview of early Byzantine history. At selected points in her study, she treats diverse topics to provide the reader with necessary background. These subjects include the place of eunuchs in imperial life, ecclesiastical organization, patronage, and family commemoration. The study includes a scholarly apparatus and annotated bibliography.Herrin reaches conclusions about the ability of Irene, Euphrosyne, and Theodora to exercise power within a society in which constructed and assigned gender roles subordinated women to male domination. Herrin attributes this power to an availability of three main resources that allow these empresses to legitimate their exceptional behavior. She terms these resources collectively as the "imperial feminine" (241): the existence of female power figures and symbols, particularly the Virgin Mary, the divine protector of Constantinople; the essential role of women in constructing imperial dynasties through their fecundity within the context of a centralized court and restrictions on selections of spouses; and the tradition of female imperial patronage in establishing religious institutions and acquiring urban space in the capital. The author views the long-term influences of the three empresses as contributing to the protection of Western Europe from an Islamic conquest and the preservation of figurative art.While based in scholarship, the work is not intended to be definitive or exhaustive. In general, Herrin synthesizes her immense study of the primary and secondary literature, projects an individual vision onto the past, and makes a personal statement regarding the experiences of Byzantine women. In this work, the reader gains an understanding of the empresses, ladies in waiting, nuns, and others, as well as the author herself, since much of Herrin's own experience as a woman appears incorporated into the writing.Some may object to this methodology. For a criticism of various historical points and understandings,

The lives of women rulers of most nations prior to the modern era were not well documented. In the past history was essentially written by men for men, and showed little interest in the experiences of women, whether they were powerful or not.In this book Judith Herrin has reconstructed the lives of three Byzantine empresses of the 8th and 9th Centuries. The lives we are presented with here are those of the empresses Irene, her grand daughter Euphrosyne and Theodora. The lives of these women represent significant episodes in Byzantine history, but it isn't until you read a book like this that you realise how much of Byzantine history has simply been lost and distorted over the centuries. So much so, that it has been difficult to reconstruct the lives of these women in any great detail, especially that of Euphrosyne.Thankfully for those of us who have not read much about Byzantine history the author provides a lengthy introductory section which explains the city history and layout. The hierarchy of the court and the importance of eunuchs to both the empress and the empire and the public rituals important officials were expected to participate in.Empress Irene came from Athens as a young woman and after her husbands death was regent for her son for over 10 years and eventually ruled in her own name for 5 years, an unprecedented act in royal circles in that time. Her grand daughter Euphrosyne was "born in the purple", suffered exile in her youth only to be bought back as empress later in life. Her successor was Theodora who has come down to us as a saint for the re-instating of Icons as a tool of worship in Byzantine churches, something which persists to this day.This book covers the years when the veneration of icons ripped the church and Byzantine society apart for close to a century. These empresses were instrumental in the re-instatement of icons as a central item of worship in the Byzantine church. This is an easy to read book, but one that is obviously full of researched depth. It has impressive notes and sources at the back. If you have any curiosity about female rulers of Byzantium this book is a must.

This is a very good book. It is academic and well researched, but also very readable. The author focuses in on the lives of three empresses and their importance to the history of the Byzantium Empire, as well as their impact on West European history. There is a very good introductory chapter that lays the historical backdrop of the Byzantium Empire and the city of Constantinople. From there, the author provides a triple biography of the three empresses, highlighting their characters, importance to politics and religion, and the other main characters in their lives. The author makes a compelling case for the importance of the empresses' efforts to restore the veneration of religious icons, while also highlighting their achievements in both domestic political concerns and foreign relations. The book also contains several excellent maps and beautiful color plates. For anyone interested in women's history, the medieval period, and the Byzantium Empire, this book should greatly satisfy.

For anyone with an interest in Byzantine History then this is a must. Herrin's style is very digestible and the subject matter enthralling. You really do get a great insight into these three impressive women and a very vivid picture of the imperial court in Constantinople and all the pomp and ceremony that went with it. Very good.