When we think of prototypical artists, we think of, say, Picasso, who made work quickly, easily, effervescently. On the contrary, in Woman Pissing, a literary collage that takes its title from a raunchy Picasso painting, Elizabeth Cooperman celebrates artists--particularly twentieth-century women artists--who have struggled with debilitating self-doubt and uncertainty. At the same time, Cooperman grapples with her own questions of creativity,...