When Birds Could Talk and Bats Could Sing

This is a charming collection of fables retold by Ms. Hamilton. According to her research, they have been from slave tales. Important morals are taught via the adventures of birds--style similar to the Brer Rabbit tales. The paintings are beautiful, and I loved the coloquial speech and songs.

This is truely a wonderful work for young folk. The illustrations are absolutely great. The depiction of each species of bird and animal is actually quite accurate, even dressed in the human clothing provided by the illustrator. This is a collection of 19th century African American folk tales, quite similar to the famous Brer Rabbit tales. These stories have been reworded so that 19th century dialect can be understood and be ralated to by children of today. Each story has a wonderful teaching and the text throughout the book matches the illustrations perfectly. In addition, there is a nice section at the back of the book which tells the source of these stories which is quite interesting standing alone. Recommend this one highly.

You couldn't ask for more in a children's book. I tripped across this book at our local library, picked it up and started reading it to my two sons, ages 8 and 10. It's a book that is meant for out-loud reading. Hamilton's prose is written in a very conversational tone, which mimics the way in which these southern tales were originally passed along: orally. Each story is about 3-4 pages long, with a lesson learned at the end of each one. Birds and bats engage in ridiculous actions and we -- the humans -- can learn from them. The book is as much fun to look at as it is to read, due to the beautiful artwork of the illustrator, Barry Moser.

These stories were meant for telling. Virginia Hamilton adds a voice that is full. It is deep and loving. Most of the stories have a bit of verse or song. Each tale ends with the teller speaking the moral plainly to the children listening. For example, "How Bruh Sparrow and Sis Wren Lost Out" ends, "So, children, here's a leaf from the book of birds: Pick on your own size. For it's no use squabbling over what's too big for you to handle." I think these tales would be perfect for the mid to upper elementary audience as well as for adults. There is a table of contents, but the stories are in no apparent order and are not grouped. Barry Moser's vibrant watercolor illustrations are not necessary for the storytelling. However, having seen them, it is hard to imagine the story without them. Source Notes: The Afterword helps readers and tellers know the history and origins of these Southern, African-American tales. The stories in When Birds Could Talk & Bats Could Sing were originally written down by Martha Young who wrote them in the so-called black dialect of the plantation era. It is impossible to tell now which stories she heard from African American's and which she wrote herself. These stories are written in the prose style called cante fable. They include verse or song and end with a moral for children. There is an entire page detailing and crediting the book designers and artists who helped put this book together. Karen Woodworth-Roman