Has Werner Buettner's world of images indeed grown funnier, more colorful, or should one, following Kristian Vistrup Madsen's observations, consider it to be invariably gloomy and oppressive? The latter certainly applies to a work such as "Brueder (Kain + Abel)" from 1983, but no longer in such exclusivity to his most recent works. Here, the bitter singing of NO-FUTURE by the protagonists of the 1980s is accompanied by a good portion of...