Weapons of Mass Persuasion: Marketing the War Against Iraq

It is amazing how cleverly the war on Iraq was packaged, branded and sold to the American public (and the world's public, for that matter). Rutherford explains exactly how it was done in his book Weapons of Mass Persuasion: Marketing the War Against Iraq. "Shock and Awe" (my nomination for the most over-used political catch phrase of 2003) was an attempt by the Bush administration to sell a "new" type of war to the public; one in which there would be low amounts of casualties and a quick resolution. The war in Iraq has proven to be neither. Rutherford, an academic in Toronto, used a small focus group of Canadians to ascertain the range of opinions about both the lead-up campaign to the war and the ensuing media coverage. The diversity of opinion was amazing. Some supported the war, others opposed it. But one thing that seemed to cross this political divide was a general dissatisfaction with the media coverage of the war. Rutherford calls it "Real-Time War". The media coverage of the war was incessant. There seemed to be nothing else on television at that time. The media coverage was also cleverly branded, usually with a flashy intro and some patriotic music. It made me sick. It was the worst type of propaganda, subtle. Rutherford also explores the history of propaganda in the United States. Rutherford cites 1968 as the introduction of political advertising as the dominant force in electoral discourse (Rutherford, 14). It was pretty much downhill from there. Something new to this war was the "weaponization" of the media by the Pentagon. The embedding of reporters led to a formation of a bond between the reporters and the soldiers. It is very difficult not to side with someone who you live with under fire. Most "embeds", as they have come to be called, failed miserably at being objective. This "weaponization" was a shift in policy for the Pentagon. Reporters were now a part of the war. Several Middle Eastern journalists were killed by American forces. The documentary Control Room discusses the death of an Al-Jazeera cameraman in Baghdad who was killed by American bombs. The American military had been alerted to the presence of the reporters and still a bomb was dropped on them. Other reporters were also killed making many wonder if this was simply an error or if they were being purposely targeted to stifle dissent. The media coverage of the war amounted to what some call "war porn". The coverage was shoved down our throats every day to the point of near-obscenity. Violence was celebrated and embraced as being manly. This is exactly what should NOT happen in war. It should be neither celebrated nor embraced. War is always a crime. Overall this book is an interesting and very readable account of the lead-up to war and the continuing media coverage. It is a real shame that our mainstream media has failed us so horribly.

This book looks at all of the ways the american government used propaganda to sell its war against iraq. Though many of the concepts used are well known, some most people probably would never have thought off. For all non-americans (like myself) it offers a view of what the american people saw (on networks such as Fox News), and it shows just how effective these strategies were by reviewing just what the american public thought (through polls which were conducted).It is an amazing book. Easy to read, very interesting, and sometime, almost unbelievable (to realize just how gullible the american population is). For any americans, read this book. To put it plainly: It will make you smarter. It will help you to identify the means that the government uses to persuade the public, and hopefully, teach you how to make make up your own opinion, instead of just believing what you hear. And HOPEFULLY it may keep you from making the same mistake that you made this november.

In an interview cited by Antonia Zerbisias in the Toronto Star just before the book's release, Paul Rutherford seemed to lay out his own point of view clearly: "For a brief time the United States ceased to be a democracy and became a propaganda state."For a short time? It was profoundly depressing to witness the United States plunge into "one of its periods of historical madness," as novelist John Le Carré wrote. And I have been hungry for analysis that would help me to understand this madness, and to move towards a long-term cure.In his book Rutherford rather pulls his punches. Not many scholars aspire to the cult status of a Noam Chomsky, both marginalized in mainstream media and idolized by those who live on the margins. As a history professor with an interest in the mass media and popular culture, Rutherford doesn't do prophetic outrage. Late in the book, Rutherford does state his perspective more directly: "The propaganda state came to America in the guise of popular culture." (191) But for the most part he focuses on describing what "information warfare" actually looks like, rather than engaging in critique. Rutherford is interested in the qualities of the Iraq war as a branded war, a commodity for mass consumption-"war as narrative and spectacle, as a form of `infotainment'." (4)And on this score Rutherford's study succeeds. One of the best chapters is "Consuming War," in which he lists the elements of eight different genres that were woven into the "Operation Iraqi Freedom" infotainment narrative:1) Tragedy; 2) Adventure; 3) Science Fiction (with Saddam Hussein as the "requisite monster"; 4) Action; 5) Human interest (the unending quest by reporters to find "signs that, yes, the Iraqis were eagerly awaiting liberation") (138); 6) Mystery; 7) Comedy (such as the pronouncement of "Comical Ali," Mohammed Saeed al-Sahaf, which prefigured the increasing disconnect from reality of U.S. spokemen); 8) Farce.Weapons of Mass Persuasion makes good use of editorial cartoons, which often registered the cognitive dissonance that was being squelched in "serious" news outlets. One theme is the mutually exclusive, diametrically opposed worldviews on display on Fox News vs. Jazeera. Such visuals distill the critiques of writers like Nicholas Von Hoffman, who in his book Hoax: How We Were Taken In compares Americans to a shark in an aquarium. They "don't see the people outside the glass. It is as though America is in a 3,000 mile wide terrarium, an immense biosphere which has cut it off from the rest of the world and left it to pick its own way down the path of history."For those well aware of how cut off most people in the U.S. are from the sources of information that shape global opinion, we may wish more prescription, and less description. That is not the task Rutherford sets himself. But the interviews he includes are sometimes illuminating. One penetrating chapters concerns "The Phallic Dimension" of this war. Judy Rebick, a chair of social justice an