Washington Irving's Rip Van Winkle

I bought this book primarily for the Rackham drawings which are unique and carry that mystical otherworldly quality. I am well aware of the story; but this take on the storey is really better than most. Well worth the charge. Most people will like it.

I love this book. I remember my mother reading me a kid's version of Rip Van Winkle when I was little. Now, I am thrilled to find a version illustrated by one of my favorite fairy tale illustrators. Even though Rackham's art is somewhat darker (colors and style) than some other classic fairy tale artists, it speaks to me the most, bringing the characters to full life. This is probably one of my favorite fairy tale stories of all time and I am thrilled to have a book with illustrations that do it justice. I recommend this for fans of both fairy tales and art.

The character of Rip Van Winkle is like an older version of Peter Pan, overgrown and frumpy. He seeks to enjoy his life and in doing so engages in mostly childish activities. Adulthood bores him, as it should, because he excels at leisure as much as Ben Franklin stands out in industry. Rip reads well to married people, who seem to be the ideal audience for the story. The detached approach Irving takes in describing the "henpecking wife" and "curtain lectures" is comical to married couples, husbands in particular. It is a great comfort for men in 2005 to learn that the traffic of henpecking was a one-way street then, too. :) The character of Rip is admirable. How lucky to be free to do nothing and experience no remorse. He is harmless, and a great credit to the community in entertainment value and spontenaity. By enjoying simple things, he understands the best things in life are free, such as the view from the mountain top and pulling a fish out of the stream. He is good for conversation, non-judgmental, agreeable, and rather kind. Strange, but it seems he could be a fine pastor or priest. The comedy of this story seems to be the escape from his hellish home life. Some have described heaven as a place of rest, away from the burdens of the world. So Rip, on the mountaintop, taking in a beautiful sight, after a day of shooting squirrels, has some delicious liquor, and falls asleep until two tyrants are deposed; his wife and King George.

Washington Irving's 'Rip Van Winkle' originally appeared in The Sketch Book of Geoffrey Crayon, Gent. (1819) alongside another evocative piece of Americana, 'The Legend of Sleepy Hollow,' a wondrous story equally set in Irving's beloved Hudson River Valley. Though not as multilayered as its longer and slightly more well known fellow, 'Rip Van Winkle' also has long roots in Old World folklore, which is appropriate, since The Sketch Book was the first book by an American writer to be taken seriously by the European audiences that then set the standard in the West. Like the earlier A Knickerbocker's History of New York (1809), 'Rip Van Winkle' is playfully attributed to Dutch antiquarian "Diedrich Knickerbocker," the most famous and certainly the most charming of several personae Irving adopted as an author. Written in simple but gorgeously visionary language, 'Rip Van Winkle' is the story of the lazy but warm spirited farmer, who, in an effort to escape the "petticoat despotism" of his "termagant" wife, flees for an afternoon's hunting in the lonely, autumnal Catskill Mountains. Accompanied only by Wolf, his faithful but equally harassed dog, Rip is surprised when he notices an odd figure approaching through the wilderness and calling out his name. The "short, square built old fellow with thick bushy hair and a grizzled beard" is carrying a "stout keg," and gestures to Van Winkle to assist him with his burden. Taking up the "flagon," Rip hesitantly follows the little man into an isolated ravine, and thus steps unknowingly into fairyland; there he finds himself confronted by a solemn and outlandishly dressed party of dwarfs playing at ninepins. Bewildered, Rip pours out the beverage for the assemblage, but can't resist taking a drink himself. Awaking on the mountainside, Van Winkle, finding Wolf gone and a badly rusted gun at his side, returns to town, where he discovers his home in ruins, his wife dead, his children grown to adulthood, the land of his birth now an independent nation freed from the yoke of the British, and himself a stranger to the villagers, who stare at his tattered clothing and exceptionally long facial hair. After making bewildered inquiries, he comes to accept that twenty years have passed. As a humble, good hearted, and mild tempered dreamer, Rip is an archetypal fairytale hero, though the only dragon slain is Dame Van Winkle, and she accidentally, by the passage of time itself. Like kindred spirit Ichabod Crane, Rip is not an absolute novice when it comes to the fantastic, for he has enjoyed telling the village children who love him "long stories about ghosts, witches, and Indians." As in traditional Celtic fairy lore, in which eating or drinking while visiting fairyland is often punished with permanent residency there, Rip had made the honest mistake of partaking of fairy foodstuffs, and thus pays an unintended price for doing so. For Celtic fairy lore also featured multiple variations on the theme of fairy time; on

Several of these other reviews are for a different version of this story. The one I am reviewing is an "All Aboard Reading" version. It is definitely written for beginning readers (1st-3rd grade)This version is a good introduction to the classic Washington Irving story. I do not like the way Rip's wife yells at him to get to work or how Rip is only "maybe...a little" sad when we finds out that his wife has died after his long sleep. Neither Rip nor his wife were the most exemplary characters! :-) Still, that is the way the story was written and can be a good launch into a talk about character.