Wagner's Ring: Turning the Sky Round

This little book is an excellent introduction for folks like myself who have tried for years to make sense of the cycle. The narration gives a plot synopsis followed by the author's view of the meaning behind the drama. I have always been fascinated by Wagner's Ring Cycle though I do not know German. I have been very intrigued by the music. Well this book gave me a tiny little bit to get me going. Much of Father Owens' analysis may not meet with everyone's interpretation of the cycle but it does make one think. There is a section at the end that contains written music. My knowledge of reading music is very scant so I just ignored that section. It is not germane to the narrative because one can get these examples by listening to the work. For good examples get An Introduction To Wagner's Der Ring Des Nebulungen by Deryck Cooke on CD. Mr. Cooke's CD gives audio examples that one can appreciate without knowing how to read music.

Father M. Owen Lee, who is known for his erudite commentaries on Metropolitan Opera broadcasts has recently published another book about the Wagner's Ring Cycle, called "Athena Sings. Wagner and the Greeks." Father Lee is a Classics scholar, so it should be no surprise that the Greeks also inhabit "Wagner's Ring: Turning the Sky Around." This book is only 120 pages long, but like Wagner's Ring it seems to inhabit the whole human experience from the birth of consciousness to the death of god.If ever a book should published in an audio version, it is this one. 'Turning the Sky Around' stemmed from a series of talks that the author gave during Met broadcast intermissions, and while an 'Index of Musical Themes' might be okay for those who have a piano handy, how wonderful it would be if the book could simply 'play' them for the rest of us. I wonder if the original talks were taped and are lying about in a Met Opera warehouse somewhere---probably just wishful thinking on my part.Even opera lovers who have every reason to dislike Wagner the man (especially the blatant anti-Semitism of Mime's character and death) will gain insight into the astonishing scope of the Ring from this slender book. As Father Lee puts it: "The subject of Wagner's Ring is not much less than the world itself, the world projected in myth and music." This book's title is taken from an epiphany experienced by the Christian apologist C. S. Lewis, who wrote about the first time he saw Arthur Rackham's illustrations for Wagner's Ring: "The sky had turned round...Pure 'Northernness' engulfed me; a vision of huge, clear spaces hanging above the Atlantic in the endless twilight..." Father Lee chides those directors who attempt to remove the Ring from nature and make it into a Marxist ideologue, or clutter it up with Chicago gangsters and machine guns (a Covent Garden production). But he also argues that the Ring is outside time and nature, and certainly has less to do with the twelfth-century "Nibelungenlied" than it has to do with our own inner lives---with "...man's inner struggle with his own destructive impulses...of the emergence in him of new ideas, and the dying in him of transforming deaths."Please read this book, even if you think you don't like opera. It is intuitive and passionate commentary on one of Western Civilization's greatest works of art.

This was the book that first taught me to appreciate Wagner's Ring cycle. Before reading this book, I had tried to watch the Met telecasts and listen to the music, but I confess that I actually found Wagner boring. Then, one year, my father gave me this small book as a Christmas present.Since then, I have read and re-read the book, and listened to the operas over and over again. I have seriously considered becoming a collector of Ring recordings; I own the Bohm version recorded at Bayreuth, the Solti version and the Karajan version. I have gone from being indifferent to Wagner to being a Wagnerolater, and Father Lee's book is what set this off.The book may not be of as much use to someone who is already well versed in Wagner scholarship, however it is an excellent introduction to the Ring cycle. It exposed me for the first time to the depths of Ring interpretation. It also ably explained Wagner's musical techniques and his historical context in ways that the layperson can easily understand. For understanding the various leitmotifs in the index, some musical training is helpful, but having a recording of the Ring by your side should help to make up for any deficiencies in this department.I highly recommend this book to anyone who is interested in getting to know Wagner, and interested in understanding how he can weave such a spell over his audiences. This book opened my own eyes; it can do the same for you.

I bought a copy of this book from the Metropolitan Opera Shop just before seeing the Met Ring last Spring. Although this was not my first Ring production and I was already quite familiar with the Ring and other commentaries on this tetralogy, Owen Lee's book provided me with new insights that I had not thought of before. His manner is forthright and clear and his topic well-researched. It is a valuable resource to both newbies to the subject and experienced Ring afficionadoes.

M. Owen Lee is a genial fixture on the Metropolitan Opera broadcasts and a professor of Classics at St. Michael's College in the University of Toronto. He has published a couple books of his intermission-break talks on various operas in the Met repertory but his introduction to the four music dramas comprising Wagner's Ring cycle is indispensible; along with late record producer John Culshaw's Reflections on Wagner's Ring (and I suppose G.B. Shaw's socialist rant The Perfect Wagnerite), it helps both newcomers and veterans to form their own viewpoint of the great tetralogy. Lee's allusive and literate prose warms the heart and feeds the mind. A brief but excellent companion for those bound to opera house or sound system to intoxicate themselves with potent, magical music.