This book explores how, from the mid-20th century, a new form of theatre that emerged in Trinidad and Tobago as its playwrights came to mine the Afro-Creole Trinidadian folk milieu. This book focuses primarily on the period from the 1950s through to the contemporary moment, investigating how Trinidad's theatrical practitioners developed methodologies that formulated an indigenous theatre. This book examines how in its creation, it would distance...