Victory

I picked this title up as as a means to pass the time during a stint on jury duty last week. Thumbing through the book in the bookstore I was immediately attracted to the title (mainly because of the subject) but also because Stephen Coonts edited the book (and his Flight of the Intruder is one of my favorite titles). This collection of 3 novellas read quickly and held my attention. This paperback edition contains 3 of the 10 novellas contained in the original hardback edition of Victory (which ran about 700 pages). These stories aren't history lessons and anyone expecting that will be disappointed, but these three character driven stories are good examples of the kind of 'war fiction" of days gone by. The first story by Coonts, "The Sea Witch" is an interesting tale of a PBY Catalina crew that becomes stranded on a island in the Pacific as it searched for another lost Catalina crew. The story is a straightforward tale with an interesting twist at the end. Next up is David Hagberg's "V5". This story is deals with the interaction of allied intelligence officers and military planners trying to prevent the Nazi's newest vengeance weapon (the title's V5) from being deployed. Although not strictly a war story this is a good thriller with a nice WWII background. The final story "Flame at Tarawa" was a pleasant surprise. Penned by another favorite of mine Barrett Tillman. Although I know Tillman for his non-fiction WWII histories, I really enjoyed this story of a Marine flame thrower operator surviving the bloody, hellish, landing at Betio in 1943. In the end, I feel that the reader is rewarded by characters that are interesting and hold your attention as well as stories that put a little more of a personal spin on the war, without glorifying combat to the same level as the typical war movie.

More good than bad is this admittedly uneven anthology of World War Two tales. My favorite by far was the tale by Ralph Peters, which is sad and poignant and not by any stretch a "thriller." Yet thrills abound in stories liie V5, an espionage yarn so exciting it reminded me of a level from a video game like CALL TO DUTY or MEDAL OF HONOR (who wouldn't want to heist a ME-262?). Recommended.

This book is in the same classification as the Combat book.Inthis book you have ten authors write stories about World War II.Stephen Coonts writes about a Catalina flying boatwho are doing battle with the Japanese in the Pacific.Harold Coyle does a story about the battle on Guadalcanal with the Japanese that earned this area the name of Bloody Ridge.Jim Defelice tells about an American pilot who parachutes into Germany to gather intelligence and gets decieved.Harold Robbins tells a story about someone whi is sent to kill Hitler.Dean Ing tells a story about an effort to build an interceptor to stop a Nazi super weapon.Barrett Tillman tells of the role of a flamethrower operator in a battle at Tawara against the Japanese.James Cobbtells of a Catalina searching for Japanese radar in the Pacific.David Hagberg tells of allied agents trying to stop a Nazi superweapon that can cause havoc in the United States.R.J. Pineiro tells of an American pilot who trains Russian pilots in new Aircobras.Ralph Peters tells of a German soldier going home on foot after the war has ended.All in all this was an interesting book.It ranked as an equal to Combat.

They really aren't around anymore, but from the 1930s through the 1970s, there was a proliferation of what became known in the trade as "adventure" magazines. These ranged in quality from the semi-respectable (Argosy) to the not so respectable (a veritable slew of titles, such as Stag and the right-out front For Men Only). They featured stories of spies, derring do and jungle intrigue, but they primarily contained war stories. Lots and lots of war stories. The covers often told the tale regarding the type of quality you could expect within; this was particularly true of Stag, which featured damsels who were either in distress (especially with respect to the state of their undergarments) or inflicting distress upon U.S. soldiers who were tied to chairs and doing their best to appear panic-stricken. All of these magazines, alas, are long gone, or at least don't seem to have the circulation they used to. I was reminded of them, however, by the publication of a mammoth volume of war fiction titled VICTORY.VICTORY is a companion volume to COMBAT, both of which are edited by intrigue-meister Stephen Coonts. VICTORY is a doorstop of a volume, weighing in at well over 700 pages and consisting of ten previously unpublished pieces by masters of the war story. The stories in VICTORY range in length from fifty to over one hundred pages; if they had appeared in any of the adventure magazines, they would have been serialized. Most of the stories in VICTORY would or could have found a home in Argosy, though one --- "Blood Bond" by Harold Robbins --- is definitely Stag material. More on that in a minute.The stories in VICTORY do not glorify war. Far from it. All of the stories are set during World War II, with the exception of "Honor" by Ralph Peters, set immediately thereafter. It is difficult to pick an immediate favorite; the average reader may have several, for different reasons. Coonts's own "The Sea Witch," which opens VICTORY, begins as a fairly predictable tale with an unpredictable ending and that utilizes an unexpected technique to catch the reader flatfooted."Blood Bond" is typical Robbins. It is a spy story, dealing with a plot to kill Hitler, and stands apart from the other tales due to its unrelenting scatological narrative. Robbins writes the way James Bond really thinks. Though Robbins, gone for several years now, had his share of detractors, he never inflicted boredom on his audience, and this previously unpublished work continues his streak, even in his absence.David Hagberg's "V5" concerns the German rocket that could have turned the tide of World War II and the Allied military and espionage components that feverishly work together, though at some distance, to ensure that the project never makes it off the ground.Peters's "Honor" deals not with Americans in the war but with a German officer in the war's aftermath, trudging through the nightmarish ruin that is postwar Germany as he tries to return home to his wife. The conclusion of "Honor" is