***Now with a new afterword by MARGO JEFFERSON*** In Tisa Bryant's Unexplained Presence, readers are spectators of mis-en-sc nes in which black subjectivity has been distorted and denied within various visual narratives. Moving from cultural analysis to cinematic (re)creation, Bryant's prose traverses like a tracking shot through John Schlesinger's Darling, Patricia Rozema's Mansfield Park and Virginia...