Ultimate Spider-Man Vol. 2: Learning Curve (Ultimate Spider-man, 2)

There are some noted examples of a writer coming in and revitalizing a comic book by tinkering with the fundamental nature of the character, as Alan Moore did with "The Swamp Thing" and Frank Miller accomplished with "Daredevil." But starting from scratch, as Marvel is attempting with "Ultimate Spider-Man" is a much rarer attempt (e.g., John Byrne starting over with Superman). However, writer Brian Michael Bendis is well aware of the high stakes game he is playing and through this second trade paperback collection of comic book stories ("Ultimate Spider-Man" issues 8-13) the results are quite admirable.At first glance the obvious intent here is to condense the story of Spider-Man. In what we know consider Volume 1 of "The Amazing Spider-Man" Wilson Fisk, a.k.a. the Kingpin, does not show up until issue #50 (and really did not become the monolithic New York City crime boss until Miller worked the character into "Daredevil"). Here he catches Peter Parker's attention in issue #8 and it is Spider-Man's attempt to bring down the secretive crime lord that creates the story arc of this collection. This means that we get to avoid the Terrible Tinkerer and other abominations from the early years of Spider-Man under Stan Lee and Steve Ditko. On the Peter Parker side of the equation we pass Betty Bryant and Gwen Stacy and go immediately to Mary Jane Watson.The theme of these stories is that Spider-Man, who is in point of fact almost sixteen years old, is in way over his head as a superhero. The Kingpin proves this by taking about a half dozen pages to defeat Spider-Man and toss his unconscious body out the window. Spider-Man's early attempts at crime fighter are so inept that he actually contributes to the idea that Spider-Man is a criminal, making it easy for J. Jonah Jameson to trash the hero in "The Daily Bugle." In the end it is as much Peter Parker as his alter-ego that scores an initial, tentative victory over the Kingpin; plus Spider-Man's verbal battle with the Kingpin is a minor comic (as in comedic not as in book) gem.But Bendis is interested in doing more than creating a more streamlined version of the story of Spider-Man. In the final issue of this collection he unveils a radical change in the whole secret identity part of the character's dynamic. It will be interesting to see how this plays out (especially since it kills one of the my all-time favorite scenes from the original "Amazing Spider-Man"), but I have to admit I appreciate the character's motivation for doing so. The Spider-Man story is enough of a soap opera without resorting to the more inane traditional elements of the genre. All in all, this is a first rate retelling of the tale, enjoyable both by those who are well versed in the character and those who come to this series in the wake of the blockbuster film. The pencils of Mark Bagley and inks of Art Thibert create a unique artistic interpretation of Spider-Man (think Titian inked by Todd McFarlane) and Peter Parker (whose can mat

There are some noted examples of a writer coming in and revitalizing a comic book by tinkering with the fundamental nature of the character, as Alan Moore did with "The Swamp Thing" and Frank Miller accomplished with "Daredevil." But starting from scratch, as Marvel is attempting with "Ultimate Spider-Man" is a much rarer attempt (e.g., John Byrne starting over with Superman). However, writer Brian Michael Bendis is well aware of the high stakes game he is playing and through this second trade paperback collection of comic book stories ("Ultimate Spider-Man" issues 8-13) the results are quite admirable.At first glance the obvious intent here is to condense the story of Spider-Man. In what we know consider Volume 1 of "The Amazing Spider-Man" Wilson Fisk, a.k.a. the Kingpin, does not show up until issue #50 (and really did not become the monolithic New York City crime boss until Miller worked the character into "Daredevil"). Here he catches Peter Parker's attention in issue #8 and it is Spider-Man's attempt to bring down the secretive crime lord that creates the story arc of this collection. This means that we get to avoid the Terrible Tinkerer and other abominations from the early years of Spider-Man under Stan Lee and Steve Ditko. On the Peter Parker side of the equation we pass Betty Bryant and Gwen Stacy and go immediately to Mary Jane Watson.The theme of these stories is that Spider-Man, who is in point of fact almost sixteen years old, is in way over his head as a superhero. The Kingpin proves this by taking about a half dozen pages to defeat Spider-Man and toss his unconscious body out the window. Spider-Man's early attempts at crime fighter are so inept that he actually contributes to the idea that Spider-Man is a criminal, making it easy for J. Jonah Jameson to trash the hero in "The Daily Bugle." In the end it is as much Peter Parker as his alter-ego that scores an initial, tentative victory over the Kingpin; plus Spider-Man's verbal battle with the Kingpin is a minor comic (as in comedic not as in book) gem.But Bendis is interested in doing more than creating a more streamlined version of the story of Spider-Man. In the final issue of this collection he unveils a radical change in the whole secret identity part of the character's dynamic. It will be interesting to see how this plays out (especially since it kills one of the my all-time favorite scenes from the original "Amazing Spider-Man"), but I have to admit I appreciate the character's motivation for doing so. The Spider-Man story is enough of a soap opera without resorting to the more inane traditional elements of the genre. All in all, this is a first rate retelling of the tale, enjoyable both by those who are well versed in the character and those who come to this series in the wake of the blockbuster film. The pencils of Mark Bagley and inks of Art Thibert create a unique artistic interpretation of Spider-Man (think Titian inked by Todd McFarlane) and Peter Parker

This tpb shows peters mission to find his uncles killer leads him to the kingpin and his electric thug electro( who has atendencey to use food puns... smoke you like a salmon etc.)But it shows peter joining the bugle to take pictures and work on computers. this is a must have for ultimate fans.

This is only the second volume in the Ultimate Spiderman series, and so far, it rocks. The new characters in this graphic novel are the King Pin, Elektro, and the Enforcers. This novel has Parker's character develope even further, from a rash, naive boy, to a mature, young adult. Overall, vol. 2 brings in tons of action, and has a well developed plot which lasts till the final pages. It's a good graphic novel with well developed characters as well as awsome drawn pages. I recommend it to any who like Spiderman, or who've already read vol. 1 and aren't sure about vol. 2. By the way, the end is a surprize, at least I was definitely shocked by how it ended, and I bet you will be too.

If you're a long time fan of the Amazing Spiderman comics, if you're a new reader, or if you're just curious about this character before the Sam Raimi film hits on May 3, 2002...THEN THIS IS THE BOOK FOR YOU.Brian Michael Bendis is the best thing to happen to Spiderman since Stan Lee and John Romita. He's got a firm grip on the character and successfully manages to put a 21st century spin on things so both old and new fans can equally enjoy. Peter Parker is portrayed even more realistically here than he was in the classic run of the original title. Here's a hero with worries, problems, goof-ups, and oh yeah...superpowers.The first Ultimate Spiderman collection "Power and Responsibility" is arguably one of the Top 5 story collections in Spidey history. With "Learning Cruve" Bendis proves that he is not going to have a sophomore jinx.This collection of stories from the Ultimate Spiderman comic series covers issues 8-13. Inside we're treated to: Peter still struggling with his powers and his new role as a hero, Spiderman's clash with the Kingpin, an Ultimate spin on J.J. Jameson and the staff of the Daily Bugle, and revamped characters of The Enforcers and Electro.There is no way to give the story justice in a review. You need to read and enjoy Learning Curve like any Spiderman fan should...with a smile on your face!