The Zoo

This book is a masterpiece.You really need to be aware of all the marvelous details you can find through the pages. It was more than I could ever guessed. Ishtar Olivera ( spain)

This is a marvelous book to read with very young to 6 or 7 year old children. Older children will pick up the parents' distress with little prodding. Younger listeners can be gently led to understand that parents have the same feelings as they do. A great extra for keen observers is the progression of the baloon and the child's sock. This book was so warmly reviewed that I took the chance that my 6 & 7 year old grandchildren were not too old for a picture book. I am glad that I did.

The adults live in a grey world, one day a family visit the zoo and the girl sees the colors of an animal and follows him. Then the girl enters into the world of the animals and everything becomes in colors... it is a wonderful book! http://www.suzyleebooks.com/books/zoo/

Suzy Lee's The Zoo is a picture book in which the words only tell a small part of the story. A young girl visits the zoo, apparently in Korea, with her parents. The text, a few words per page, gives a simple recounting of events. "We visited the aviary, and then the gorillas", etc. But behind the scenes, two parallel adventures occur. The initial scenes are very detailed, and drawn mostly in shades of gray. The only comes from a peacock, wandering loose about the zoo. The animal cages seem oddly deserted, with the inhabitants not to be found. And then the little girl wanders off, following the peacock into a world of color. Alternating pages show the increasingly frantic parents, still in gray, looking for their missing daughter. Meanwhile, the daughter plays with the animals, loose in some sort of idyllic forest scene. The scenes with the girl and the animals are clearly not real, but reflect every child's wish-fulfillment. Getting sprayed by an elephant. Sliding down the neck of a giraffe, into the waiting arms of a gorilla. Soaring with the birds. Smiling, playful animals everywhere you look. In the end, the relieved parents find the girl, fast asleep on a bench, dreaming about the animals. Both sets of illustrations reward close study. The "real world" scenes are pencil sketches in muted colors, with, in a few cases, cut-out paper dolls apparently overlaid on the page. They are filled with realistic details, like the face mask worn by the balloon seller on the first page, and the spilled trash here and there on the ground inside the zoo. The people represent a wide spectrum of humanity, from snooty woman with backpack, to fighting young boys, to coy teenage girls, to parents with cameras, teacher with students, and smiling, pig-nosed sisters. Only our young heroine displays a splash of color in her cheeks. The animal scenes, by contrast, are awash with color, deceptively crude colored pencil sketches of smiling animals. The trees in the background sometimes look like origami, made from brightly colored paper. The grass and sky bear the marks of heavy scribbling, to fill in the background. There's no strict adherence to the "right colors" either. The elephants are shaded with purple and green. The trees have orange, pink and purple branches. The bear is brown, overlaid with a touch of blue. The colored pages look, in short, like something that a kid (albeit a very talented kid) would draw. The parallel tales are linked. As the parents run past the empty aviary, their daughter is flying through the sky with the birds. The animals are missing from all of the realistic scenes, as though, just perhaps, they might really be off visiting the girl's imagination. This is a book for any child who loves animals, and thinks that zoos are paradise. It's also a book for any parent who has temporarily misplaced a child - the parents' fear is palpable (and, happily, relieved by the end of the story). All in all, it's an unexpected and rewarding adv

American publishers, by and large, move with the speed of pure, refined molasses when it comes to introducing U.S. audiences to foreign picture books. Considering the scads of remarkable books available all over the world, it's a crying shame that more than 95% of what we see on the American picture book market tends to be of the homegrown variety. Don't expect this situation to get better any time soon either. With cries proclaiming that picture books are no longer profitable, I wouldn't be any too surprised if publishers decide to play it "safe" for the next few years. Maybe that's why I like Kane/Miller so much. Far from limiting their scope, they do everything in their power to bring this country some eclectic, fun, and funny titles from a variety of different regions. Take Korea. You may have read a Korean picture book once or twice in your life. I myself am rather fond of, "While We Were Out" Ho Baek Lee (who is South Korean). But while we might be able to rustle up some Korean-American writers, books straight out of that general vicinity are not entirely common. "The Zoo", by Suzy Lee ends up all the sweeter then as a result. Not only is it a visually stimulating lark but it also happens to be one of the more creative picture books you're likely to get your hands on this coming season. A child is going to the zoo with her mom and dad. Sadly, there isn't much to see in the uniformly empty cages. So as the older members of the family strain to catch even a glimpse of a bear on Bear Hill, the little girl follows a wayward peacock. Immediately the bird leads her to a multi-colored landscape where the child plays gleefully amongst watering holes, long-necked giraffes, and (in a burst of flight) even the sky itself. The parents are in a panic, but soon find their little one sleeping peacefully on one of the zoo's many benches. Was it real or just a dream? The answer is left to the reader. One thing everyone can agree on though, "I love the zoo. It's very exciting. Mom and Dad think so too." The feel of the book took me back to my childhood. I lived during the heyday of foreign language children's programming, where animated shorts from all over the world would sometimes play on basic cable. Reading "The Zoo" is a similar experience. Everything in the book is easy to understand with a straightforward plot. Yet at the same time, it feels different from the roughly 2 billion based-in-Brooklyn storybooks currently out there. The signs are in Korean. The people are all Korean. The feel of the narrative, scope of the vision, and subject matter (which I doubt any American writer could get away with here) is foreign to our senses. The cover says it all. You go to the zoo and what do you get a ton of? Empty cages. It's very interesting, but this book actually requires that you remove the dust jacket to get the whole story. Take off the dust jacket and the empty cage on the cover wraps around to reveal an escaping