The World of King Arthur

This is a very thorough and unbiased study of the post Roman period in England and, ultimately, Europe. While Professor Snyder says neither "nay" nor "yea" to Arthur's objective reality, he does bring out the very real effect the legend has had on people world wide and through out time. Instead of dwelling on the insolvable problem of Arthur's existence, a contention that has too little data to clarify it, Snyder covers the archaeological and written records of the period, subjecting both to a critical analysis. He does this, however, to create for the reader a sense of the time in which a person like King Arthur might have lived. The types of political, military and social events with which he would have had to contend, and the nature of power and of place in society are discussed using what material is available. With respect to the written material, Snyder discuses a number of problems confronting historians. The contemporaneity of these sources with their subject--or lack thereof--is thoroughly described for the reader. As with Biblical studies or biographies of Alexander the Great and other early people, many of the sources are very much later, even centuries later, than their subject. The introduction of an author's opinions and cultural biases, let alone their own agendas, may well distort any real information that he had at his disposal. Snyder makes this very apparent by discussing these authors and the events of their own time with respect to their "take" on Arthur and his life. Hagiography, the use of biography as a source of moral teachings or for other purposes, is a legitimate writing technique but not good history. An early author might also read too uncritically the material of his predecessor, and thus passed on as fact--probably after further distortion--stories that had no basis in fact to begin with. The task of "getting at" any core material that may exist becomes almost impossible, and such documents are rightly used with great care. Snyder also discusses the effect of the cultural biases of modern day students of Arthur. Every culture has a Gestalt of its own, one of which the practitioners of the culture are not always aware, and what such a student perceives in written sources and artifactual evidence is filtered through this world view. Arthur therefore becomes something different for each culture and even for each culture at different times in its history. The author makes this point by discussing the changes in the Arthuriana that occurred in France and England and even throughout the world through time. He even discusses the variations in the Arthurian story that appear in modern cinematic presentations--the bards of our own time--in different countries and in different decades and how these interpretations are borrowed for various contemporary purposes. The Kennedy era "Camelot" is a case in point for modern US history. With respect to the archaeological material Professor Snyder notes the

I love this book. Before finding it, I swam through websites and a few books. I was looking for historical/archeological information, as well as the sources for the Arthurian myths and legends. Most of what I found was, at best, mildly biased, and, at worst, based on wild conjecture (see Norma L. Goodrich's "Guinevere"). Snyder has done an incredible job pulling together resources, and laying them out in a honest factual (yet entertaining) way. The reader can draw her own conclusions. In addition, the reader is led to other resources to further study any of the fascinating strains of the Arthurian phenomenon.The pictures are most interesting! This would make a fabulous text books for British literature or British history teachers.

I am new to the Arthurian Legend, and I found this book to be an AMAZING resource. It tell the history brilliantly. It is really thorough in following through history the different authors that have contributed to Arthuriana.More importantly to me, it has given me a roadmap of books to read so that I can learn more about King Arthur and His Knights of the Round Table. The pictures that he has chosen are amazing. I would have like to see some clarification on some of the pictures of the maps that are included. But some of the pictures from some of the older versions of Tennyson's Idylls of the King, and some of the originals that Claxton used in the original Le Morte D'Arthur area really amazing.Overall, a GREAT resource if you want to learn about some of the historical aspects of Arthuriana.

An excellent survey of Arthur and his legacy from ancient Rome to modern Hollywood. Anyone interested in seriously looking at Arthur should begin with this very readable book. Also - lots of great pictures!