The Well of Loneliness

idk it's long

it's weird to see someone struggling with problems that still plague society today, it rings true and sticks with you. also it proves women have been wanting good pockets forever

The first thing I noticed about Radclyffe Hall's "The Well of Loneliness," was the beautiful descriptive exposition. Before the novel delves too far into modernism, it is apparent that it is hedging out the Victorian. Descriptions of the English countryside, of London and of Paris are some of the finest written in English. Not only this but the painstaking care the Hall takes to describe her characters, though even Stephen remains a bit fuzzy to me, are lovely and purposeful. Her sense of loss, loneliness and love are extremely powerful and extremely well conveyed. That being said, the bravery it took to write the first English- language novel that addressed "invertedness," in Stephen's case butch-lesbian identity and, overall, homosexuality, is incredible. It is hard to be absolutely disappointed with the author for the ending of the novel, particularly since it seems to be semi-authobiographic. Given the time period, the ending was likely collateral in exchange for being published. Without giving it away, I'll simply add that I felt sad for the world and defiant, and these not unexpected emotions after a 500 page journey that included happiness and hope, depseration and anxiety. To be cliche, it reminds one of how far we've come with civil rights and yet how very far we still must go. Like some of fellow modernist writer Fitzgerald's characters, Hall's character is wealthy and priveledged and yet likeable. One is inclined to empathize with her situation at most points, and when not, it is easy to become enraged at the world and not Stephen. It's amazing that book was published in the late 20's, and yet problems like those the characters encountered in "The Well of Loneliness" still exist -- we are still fighting to be able to "protect" and "provide security" to those we love. This book is an amazing journey. If it is slow moving, it is only because it encompasses over 30 years, years which are necessary to fully understanding the social world that "freaks" like us are still only allowed limited access to. This is worth reading no matter what type of outcast you consider yoursel to be. There is much comfort even in feeling one is not alone. So, thanks, Radclyffe.

The Well of Loneliness is called the first undisguised lesbian novel in the English language, which makes it required reading for a women's studies class or scholarly lesbians. Yet, though written in 1928, it is still relevant to all people interested in issues of inclusiveness and diversity. Also, with its arguments based on Christian morality, it should get serious consideration by the religious right before they condemn homosexuality. The novel is a fictionalized biography of a lesbian born in the 1890s to a well-to-do couple on a country estate in England. They were desiring a son and name their only daughter Stephen, the name they had selected for their heir. Her mother finds it difficult to get close to this girl whose favorite game is dressing up as Admiral Nelson, but her father treats her like the son he was denied. He teaches her horseback riding, and takes her on the local fox hunts where she excels. Yet as she reaches puberty and young adulthood, her mannish behavior and dress starts to cause her problems. But this is Victorian England and certain things are just not spoken about, so Stephan grows up ignorant of what she is and how society feels about people like her. When her father dies her protection from the prejudices of society also disappear. She is ostracised and eventually forced out of her home by her mother. This isn't an easy book to read. With such a title, you know that it isn't going to be a lot of fun. Yet Hall wonderfully represents Stephen's life and the adversity she faces because of a situation beyond her control. She argues that "Inversion" is natural because lesbians exist in nature. Since nature is God's creation, so are lesbians and all other inverts of society. She is morally strong and wants to take her inherited place in society, but is blocked by mean-spirited and close-minded people. The book would be like Pride and Prejudice if there was only one daughter and she was gay. The social turmoil and change in society that takes place because of World War I is well portrayed by the author. Stephen becomes an ambulance driver in France, and stays on in Paris seeking a community of like-minded people. Yet even there she cannot find peace and acceptance. This is an important book because it takes a serious look at the role of gay people in society. All the issues that face this community today are raised by Radclyffe Hall. Social and religious condemnation, internalized oppression, and even the question of gay marriage are all addressed in clear and persuasive prose. The style is a bit formal and introspective, yet this glimpse into the individual is superbly portrayed and excellently developed. I found it slow moving, but with great emotional and intellectual impact.

This book is to be recommended not only to the lesbian or "invert," but to all sensitive souls who have felt themselves "outcast from life's feast," to borrow from Joyce. The prose itself is rich and beautiful as few books are today, and if this style is long winded as one reviwer has dubbed it, then modern literary culture needs to open its doors to let in some fresh air, regardless of the season. This style of this book, oddly, resembles more than anything that of the contemporary "straight" Bildungsroman by Thomas Wolfe-Look Homeward, Angel. But Hall is more effective at bringing home "the pain of all beauty" and I found myself laying the book down several times to wipe the salty blur from my eyes, such is its poignancy. The storyline and character, oddly again, of Hall's book and of her protagonist Stephen Gordon remind me of nothing so much as Rousseau in his Confessions. Yet, these similarities should not be surprising after all. All three were sensitive geniuses who suffered much through their own spiritual tenderness.-This book is for all who have felt, like Hall and Stephen, "...like a soul that wakes up to find itself wandering, unwanted, between the spheres."-Or as Shelley would have it in his fragment "To The Moon," "Art thou pale for weariness of climbing heaven and gazing on Earth, wandering companionless?"-It will ease your struggle and perhaps bring you rest.

Regardless of one's orientation, this work should be read - if for no other reason, to ensure oneself that we all are, most beautifully, outside the mold, whether it's in our sexuality or in our particular preferences for coffee or tea. An extremely insightful view of class division, of the courage (and grief)in living one's beliefs, and for those who have been there, a description of the Midlands that one can reach out and touch.