The War of the End of the World

This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil.Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!

This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!

A través de esta novela Mario Vargas Llosa nos regala una historia real cubierta de fantasias tan bien entretejidas que facilita una lectura fluída que nos hace sostener la última expiración en cada capítulo siguiente esperando que no sea el último.El personaje principal es El Consejero, un asceta que recorre todos los pueblos predicando la palabra de Dios y sin haberlo planificado se encuentra dentro de una multitud que veía en él al Santo Salvador que los dirigiría en la lucha contra El Mal. El Mal estaba personificado por los Republicanos que, según los seguidores del Buen Consejero, no eran más que El Anticristo que había bajado a la tierra disfrazado de humanos para transformar el mundo: Instaurarían el matrimonio civil, encargarían los cementerios a los municipios (en la época monárquica estaba a cargo de la iglesia católica), y someterían al pueblo a un nuevo tipo de gobierno, la República.Es así que se origina la rebelión. El Consejero y sus seguidores golpean a unos soldados republicanos y huyen a un lugar desolado, apropiándose de esos terrenos, llamádo CANUDOS. En aquel lugar alejado del mundo -y también de la imaginación humana- forman una sociedad diferente, en la cual nadie tenía propiedades y no existían autoridades. Era una sociedad donde todo era de todos.Sin embargo, y en replesalia contra aquella rebelión inicial, el Estado Brasileño envia un pelotón de hombres bien apertrechados que son rápidamente reducidos por los pobladores de Canudos al grito de "mueran los perros republicanos". Fueron tres las comisiones enviadas a disolver a aquellos rebeldes que "atentaban contra la seguridad del Brasil". Una tras otra son repelidas hasta que frente a un contingente bastante mayor al de ellos ceden y permiten el ingreso del ejercito republicano a Canudos. "No dejaron piedra sobre piedra". Los soldados se encargaron de desaparecer aquel pueblo que se resistía a ser sometido a las peticiones de la sociedad alienada. Un mundo aparentemente irreal que parecería una increíble invención y que, sin embargo, existió en Brasil a fines del siglo XIX. Un pueblo cuya aparente perfección no fue tolerada por un mundo sometido a la infelicidad y, por lo tanto fue condenada al peor de los castigos: a la desaparición.Considero, por ahora -a falta de leer algunos libros anteriores y venideros de Vargas Llosa- como la mejor obra de este escritor peruano que ya merece ganar el Premio Nobel.

The War of the End of the World is an impossibly ambitious book which nevertheless succeeds completely, and in the process confirms that Vargas Llosa deserves to be considered among the great authors of all time. Unlike his other books, which are either frankly autobiographical or significantly based on the author's personal experience, this is a straightforward historical novel, taking place in 1890s northeastern Brazil. It is also a real novel of ideas, confronting very seriously such timeless topics as the relationship of individual to society and of faith and personal belief to law and social order, the source of state authority, and truth/beauty and means/ends issues. While somewhat "modern" in style - the narrative does not proceed in a linear fashion, perspectives shift sharply from one character to the next, and "truth" is often in the eye of the beholder - the book really aspires to be a Great Historical Novel in a classic mode, like The Red and the Black or War and Peace. (Personally, I think it is stronger than either of those; at the very least it belongs on the same shelf.) In other words, it is no post-modern mirror-job, but a serious attempt to engage all thoughtful people - including those who ordinarily do not care for fiction - in a subtle and thorough consideration of the factors that create Peru's Shining Path, or Waco, Jonestown, MOVE, Hamas, etc. Vargas Llosa even manages the trick of being both sympathetic to and critical of all sides. The relationship of the book to the author's subsequent (aborted) political career is also fascinating - it is difficult to believe that an author whose extradinarily acute, and depressing, analyses of politics and ideology would be willing to enter the actual world of politics, yet it is easy to see how he yearns for a real-world solution to the failures of the rich to understand the poor, of the poor to understand the rich, and of organized government to appreciate the value of people's actual lives. I recommend this book to everyone (except perhaps readers who cannot handle some extreme and sustained violence in the last part of the book).