The Unmasking of Oscar Wilde

Pearce provides an insightful and penetrating analysis of Wilde as both man and artist. Pearce's research is impeccable and his prose makes for a pleasurable read. Pearce's Wilde is engaging, sympathetic, and complex as his various masks are stripped away. I have read several of Pearce's books, but this one is perhaps his best. I was thankful for a complete portrait of Wilde that did not reduce him into a flippant purveyor of bon mots or a figurehead for the gay-liberation movement. Through Pearce's portrait, we learn that Wilde was so much more.

There seem to be two types of Oscar Wilde biographies. One, treats him like a sexual martyr and hardly gets into his huge talents at all. The other talks only about his career and treats the episode with Lord Alfred Douglass like a spot on an otherwise pristine carpet. Jospeh Pearce refuses to take either path. He looks at Oscar Wilde, the man, the artist and the broken soul. Wilde had some ideas about himself and was like Herod, fascinated by religion but was unable to stir himself to change. He a genius and was spoiled, pampered and protected by his class and talent but that left him totally unprepared for a brute of a man like the Marquiss of Queensbury. Pearce is gentle with Wilde but he doesn't excuse him. Wilde failed his wife and his sons miserably and the nameless, faceless rent boys of London weren't just props, they were shabbily used human beings. Pearce makes this all clear but he also discusses the hope of Wilde's life, his last minute conversion. Give this well written book a try. It is a completely different and fresh look at Oscar Wilde.

Before reading this biography all I knew about Oscar Wilde was that he was oversexed and the author of The Picture of Dorian Gray. Joseph Peace does a good job of revealing Wilde's upbringing, studies, and career. In fact I am now reading and pondering other works of Wilde's like, De Profundis. The author seems harsh to Wilde's lovers and most forgiving of the "Wilde Life." The book paints a picture of Oscar Wilde as a gifted artist who, as his life progressed, became a moral degenirate and a drunkard, in that order. Wilde apparently felt and even expressed remorse, but seemed incapable of acting on it. Yes, "We have all sinned and fallen short of the glory of God." But, that said, Oscar Wilde was predatory in his pursuit of and obsession with younger men. As Pearce points out, Wilde's sin destroyed his family and destroyed him. Wilde died almost friendless and a pauper. Wilde didn't seem so much interested in love as he did in pleasure. What Wilde expressed on paper he was not capable of in himself. The book is an interesting study of the decadent movement of the 19th century in art and literature, and will open the reader up to lesser known writers and artists, who were Wilde's contemporaries. Pearce does make the reader feel sad for Wilde as he was brilliantly talented, but morally a train wreck. Over all, not a bad read and a good introduction to the life of Oscar Wilde.

This very readable book is very useful corrective to what's become the "standard" view of Wilde. It's especially good at exposing the weaknesses of Richard Ellman's now-standard biography of Wilde. For example, the claim that Wilde contracted (and later died of) syphillis is pretty much taken apart by Pearce. Pearce has also very closely read Wilde's works, so he offers some very valuable readings of Wilde's writing in order to better understand Wilde's inner life--a life, according to Pearce, that was marked by inner loathing and a self-rebuffed desire to embrace the Church. Ellman's book remains the standard biography in terms of prose quality (Ellman wrote with uncommon beauty and grace, and Ellman's enthusiasm for Wilde's work and personality is truly infectious). However, Pearce's book really should be must reading for all fans of Wilde's work. It doesn't merely trot out all the old information and anecdotes, but actually offers a fresh view of Wilde.