The Sunlight Dialogues

This novel is unabashedly symbolic, it's many characters each representing the dichotomies of order/chaos, love/hatefulness, light/darkness. But don't think that the work is heavy handed or didactic because of the obviously metaphorical quality. Rather, it is like other great metafiction, the reading of which is akin to entering a complex microcosm, and best of all, having a bird's eye view into the lives and minds of all the many characters. The multiplicity of narratives, some dramatic, others hilariously banal, is nearly perfectly balanced so that when one character might get tiresome, we are transported into another new and fascinating life. Most impressively, all these narratives are eventually woven together in perfect and beautiful harmony. Once you enter this work, you will not want to stop. I don't advice reading this unless you have some free time, otherwise all your other responsibilities will suffer.

John Gardner wrote many good works, the Sunlight Dialogues being by far the best. In it he captures the range of hope and anxiety that made the 1960s such a thrilling and tormenting time to be alive. Using the small town of Batavia, New York, Gardner plunges the reader into the life of a prodigal son of the most prestigious family in town and that of the dedicated police chief. And do the intellectural sparks fly! The illustrations by John Napper are reminescent of those from the Yellow Book in the 1890s, by Aubrey Beardsley. There is a lot of subtle humor ("take a gun of, say, x caliber...") as well as dead-on observation of what makes people do outrageous things for perfectly logical reasons.It's a roller coaster of a novel, so hang on and enjoy the ride. You might even want to go back for a second trip. I did.

The Sunlight Dialogues_ is truly John Gardner's magnum opus, equaling and perhaps overshadowing _Grendel_, the book for which he is best known. Grossly over-simplified, it is about the tide of discontent and change that came about in the 1960s, exemplified in the stories of a handful of people who live in the small New York town of Batavia. All of these characters' stories occur at roughly the same moment, and to a certain degree overlap each other; they all come into contact with one another at some point during the novel, and may even influence each other, but every member of the book's huge cast has his or her own story and denouement. The primary one of these stories is the one that concerns Police Chief Fred Clumly and a haggard, maniacal drifter known as "the Sunlight Man", and the happenings of this particular storyline are the catalysts for the rest of the stories. "The Sunlight Man", whom we later find out is Taggert Hodge, the black sheep of the wealthy and powerful family the members of whom comprise roughly half the other characters in the novel, is the one who sets all of these denouements into motion with his seminal return to his hometown as a magician, hippie, murderer, and poet. His has been a life of disillusionment, loss, betrayal and unattainable wants, and he returns to Batavia to set into motion a sort of romantically juvenile plot to take revenge on the world and to mewl out his disappointment with the way things are, the latter of which he does through Fred Clumly(thus is the origin of the title.) Gardner is remarkably adept at character development; Taggert Hodge, Walter Benson and Fred Clumly are among the best painted characters of fiction I know of. The author has a gift for articulating neuroses and flaws of characters, from miniscule ticks in their everyday behavior to major personality faults. And with a cast of roughly eleven major characters, making each and every one entirely unique in their drives and hamartias is no task to be scoffed at. However, the ability of John Gardner's I perhaps envy the most is that of taking a very normal, even pretty environmental setting, and turning it nightmarish and haunting. In the novel, the dense forests and century-old barns of Batavia are made into artifacts and ruins of an almost Lovecraftian caliber of queerness, and yet it does not serve to displace the small New York town from the realm of believable reality, but rather forces you to evaluate your reality on the same dark and weird basis as his authorial voice. The sheer scope of the novel (that of several stories cycloning around a unifying theme and plot catalyst) at times threatens to tear it apart, however; the reader at times is left wondering why the author has switched point of views when the scenario he was describing previously had yet to be resolved. This is a mere annoyance, however, and is not really something for which I believe the novel should be faulted, for

What to say, what to say[slams head against desk]? Gardner's prose reaches its peak in the pages of this book. Haunting and beatuiful, the entire book reads like an epic poem. The conflict in the book is that between the philosphical sytems of the sunlight man and that of the (vastly less sophisticated) chief of police. The invisible assumptions commonly held about the nature of law, society, and morality are brought into the light of day and ruthlessly exmained. Anyone with a philosphical bent should be interetsed in the debate, and Gardner's style renders the confilct very readbable. Eventually, the sunlight man is shown to be the product of too much love for mankind and an uncompromising adherence to ideals in an imperfect world. The ending can only be described as tragic, so make sure youre plenty ready for a moody conclusion if you pick this book up...it is engaging enough that the huindreds of pages will take only a little while to plow through, and you WILL become sympathetic to the main characters of the book. One of Gardner's best works, on the same level as _Grendel_.

A man gets arrested after drawing a large anarchy sign on the highway and then burning his wallet, including his id and papers. Tells the cops to call him 'Sunlight' - and that is precisely what he offers the chief of police, sunlight. So damn much of it that the police chief slowly starts to slip into Sunlight's own game. Sunlight escapes but keeps coming back, as though he must, must, make the police chief understand that he is serving madness, not order. Beautiful book