The Spoken Word Revolution: Slam, Hip Hop & the Poetry of a New Generation [With CD]

This book was a great resource for teaching poetry. It has good auditory poems but also has great poems in the book and a few good articles for journal reflections. My students loved it and it made poetry easy and exciting for them. I used it with Hip Hop Poetry and the Classroom and basically had a whole unit! A must get for Language Arts teachers.

Poetry has moved into a new world, as The Spoken Word Revolution (Slam, Hip Hop & The Poetry Of A New Generation) reveals. An audio cd accompanying written word captures some of the nuances of this world, focusing on the power of poetry performed out loud around the world. From new styles such as slam and Taos to poems by Regie Gibson, Viggo Mortensen and Saul Williams, be ready to learn about radical new styles of spoken word which blend poetry with social insights.

I am a high school English teacher and The Spoken Word Revolution has completely changed the way my students respond to poetry. Whenever I used to say we were going to look at a poem my students would groan. Now they come into the classroom reminding me that Friday is poetry day and cheering the poems we listen to and discuss. The selection of poetry is wonderfully diverse but the audio CD is the best part. Listening to these poets is electrifying and has really sucked in my students. Suddenly they are going to poetry slams and submitting to the literary magazine. Suddenly poetry is fun. I cannot say enough good things about this collection.

The Spoken Word Revolution is a collection of the written and performed works of more than 40 of the most influential slam, hip hop and performance poets in the world today. Slam poetry has evolved into an exciting cultural movement, with attendance far surpassing the traditional open mike poetry readings (anyone is welcome to participate and the crowd is generally supportive). The Spoken Word Revolution captures today's words and voices, in text and also on CD. Editor Mark Eleveld, a high-school teacher in Joliet, Illinois, has joined forces with Marc Smith, creator of the poetry slam. Together they trace the evolution of spoken-word poetry and rebirth of the oral tradition.

Here's a STARRED REVIEW, followed by a recommendation for young adultreaders:*STAR*The Spoken Word Revolution: Slam, Hip-Hop, and the Poetry of a New Generation. Ed. by Mark Eleveld and Marc Smith. Apr. 2003. 256p.index. Sourcebooks...(1-4022-0037-4). 811. Poetry began as an oral tradition and has circled back to its "live" roots in a movement known as the spoken-word revolution. Thanks to the innovators profiled in this delineating anthology, poetry is now performed, often competitively and quite dramatically, in front of large and enthusiastic audiences in bars and coffeehouses all over the world. Editor Eleveld, a high-school teacher in Joliet, Illinois, cofounder of EM Press, and an eloquent champion of spoken-word poetry, has joined forces with Smith, the acclaimed Chicago-based poet and creator of the poetry slam, to trace the evolution of spoken-word poetry from the Beats to rap, hip-hop, and performance art. The result is a dynamic and clarifying volume chock-full of fresh and informative commentary by the likes of Billy Collins, Marvin Bell, and Jerry Quickley and an exciting array of knock-out poems by Patricia Smith, Tara Betts, Jeff McDaniel, Roger Bonair-Agard, Bob Holman, Regie Gibson, DJ Renegade, Jean Howard, Luis Rodriguez, Saul Williams, Sherman Alexie, and many more. Eleveld and his contributors not only celebrate the verve, artistry, and significance of performance poetry but also anchor it firmly within the splendid, age-old, and life-sustaining universe of poetry, where it so rightfully belongs. And speaking of spoken, an accompanying CD presents poets performingtheir work.-D.S.YA: Accessible and lively poetry, hip page design, poets' bios, and anecdotal commentary make this a natural for teens. Donna Seaman.