The Shadow of Venus: 6

Librarian and rare book expert Claire Reynier is back again. In this one a young homeless woman named Maia body is found dead in the library with a page taken out from a valuable book. Maia apparently died of a heroin overdose, but Claire believes there is more to it. She researches the illustration from that rare book that had been found with Maia's body. This leads her to artist edward girard who may or may not have been Claire's father, and then on to Taos where she finds that Maia had indeed been sexually abused and this reminds her of when she was almost abused as a child. She'd always felt bad about not turning in her potential abuser, but he was a friend of the family, as is so often the case. Now Claire is on the trail of another abuser and this time she's not going to give up. Judith Van Gieson has an excellent character in Claire Reynier. She is compelling, compassionate, smart and believable. I really enjoyed this book and I'll be looking for more about Claire.

This unusual mystery touched me because Judith Van Gieson addresses powerful issues that are close to my heart from the power of art, architecture, mythology, books, "library as sanctuary" (the library is where I discovered this book although I have gone on a "Van Gieson shopping spree"), to my daily encounters with people that are homeless and witnessing their struggles here in NYC. The back drop of the stunning visions of New Mexico, Colorado and starry nights that hold clues was a fascinating vacation from my New York landscape and Van Gieson isn't going to leave you down hearted. There is a lot of sadness in this story but I enjoyed the leading character being an intelligent empowered woman who delves deeply into what appears to be a superficial open and shut case that reveals reflections on the universe, human nature, deep dark secrets, guilt or the lack of. The librarian turned sleuth takes the reader on mysteries both internal and outward. As an artist I was deeply moved at how much the author thought out and expressed about artists. When Van Gieson briefly contrasts artists to debate whether there is an on going attachment to one's art, I had a chuckle and a passionate internal response; for me, always. The mystery is about the death of a homeless woman by drug overdose so this is just a hint at disturbing topics addressed. This book surprised me with it's depth yet it did not depress me. I was diverted and interested more than anything on television as I sat and read this book from cover to cover. In fact this would make a good tv movie but I don't imagine any male director for this film. How Van Gieson uses art as a key to the mystery and her finely tuned sensitivity to the passion of "the artist" really was touching. I even had to laugh because I am dealing with a moth infestation here in NYC as does her heroic librarian, Claire, although she takes it all in stride. Bravo for the art homage and the touching tribute to the beautiful humanity of lost souls, sometimes found. Despite the sadness of the story -- this is an entertaining mystery and a quick read.

Claire, a middle aged librarian works at the Center for Southwest Research at the University of New Mexico. At a poetry reading she arranged, a young woman she met once before offers her a seat and admires her looks. When a belligerent homeless woman bursts into the room, the campus police escort her out and Claire closes the door. The young lady who saved her a seat bolts from the room because she is claustrophobic.Claire is disturbed when the young woman, who saved her a seat, a street person named Maia, is found dead in the basement, the victim of a heroin overdose. Claire feels connected to Maia and starts researching who she is, a journey that takes her to an Anasazi structure known as Special Rocks and to a commune in Taos. She learns that Maia was running from the man who abused her and Claire is determined that Maia's death will be avenged even though it means putting her own life on the line.The heroine is a warm caring individual who hates to see a crime go unpunished. She starts a bit on her voyage of discovery because Maia could never willing stay in a room that locks from the outside. She also wonders why the victim was on heroin because she was supposedly clean. Judith Van Gieson weaves very ugly social problems into the main storyline yet still manages to entertain her audience with an absolutely enthralling and believable amateur sleuth novel.Harriet Klausner