The Saint of Lost Things

I read A KISS FROM MADDELANA and was eagerly awaiting Castellani's second book to continue the story. THE SAINT OF LOST THINGS was well worth the wait! Castellani writes with sensitivity, compassion and great accuracy, and paints a true-to-life picture of italian immigrants. I like the fact that the reader did not have to read the first book to understand and appreciate this one (although I highly recommend A KISS FROM MADDELANA). My book club read THE SAINT OF LOST THINGS as their current book selection and many of the members have decided to go back and read the first book. We are all looking forward to Castellani's next novel...will the story continue? We hope so, as we have great affection and hope for Madellana. What a great read this was!

In 2003, author Christopher Castellani introduced readers to a young woman named Maddalena Piccinelli who lived in a small Italian village Santa Cecilia. We were also introduced to Vito Leone, the young man who loved her and hoped to be her husband, and we also met Antonio Grasso, a villager who moved to America as a child but returned to Santa Cecilia to find a wife. Readers cringed at the thought that Antonio would take her hand when she loved Vito and Vito loved her, but at a different time and age, the wishes of Maddalena's parents would be final and Vito and Maddalena as a couple would never be. Readers hated Antonio (or at least felt a strong dislike toward him), felt sorry for poor Vito, and wondered what would happen to Maddalena. In the fall of 2005, Castellani answered our questions in the sequel THE SAINT OF LOST THINGS. All of the strengths of A KISS FROM MADDALENA can be found in THE SAINT OF LOST THINGS. The writing has a poetic quality to it. Castellani's word choices are precise and conjure up wonderful images. The attention to historical detail is impeccable. Just as the village of Santa Cecilia in World War II seemed believable to readers, so too does the 1950's Italian section of the city of Wilmington, Delaware, centered around the parish of St. Anthony. The dreams of the people, the closeness of the neighborhood, the racial tensions, the rivalry between immigrant groups, and the overall closeness of the neighborhood all seem accurate and create the setting in which the story takes place. So what has happened to Maddalena? She's married to Antonio but is she happy? Does Vito come to rescue her? The book jacket's summary gives the reader a hint that after seven years of marriage, Maddalena has done her best to adjust to her new life. Readers of A KISS FROM MADDALENA know just how much she has sacrificed in her short lifetime, but even those who have not read the first book will be empathetic toward her as she misses her past but seems committed to make the best of her new life. Readers of A KISS may not have a soft spot for Antonio but in THE SAINT OF LOST THINGS will discover he's basically a good guy and a rather complex person. He wants what is best for his family, is a tireless worker, and puts his own dreams on hold believing the needs of his family always take precedence over his own. His flaws and faults may be many, but we grow to like him. A third character named Gullio Fabbri is introduced in THE SAINT OF LOST THINGS. He's a lonely bachelor who wants to begin a new life after his parents die, but he seems to lack the gumption and ambition necessary to do much more than change his name to Julian. The story itself revolves around the ups and downs of the three main characters, the joys and stress of the birth of a child, and beginning to take chances that life worthwhile. Castellani could have taken his work in a number of directions, many of which would have been predictable and cliché. Instead he chooses to give us

Having read Castellani's debut novel in one sitting, I eagerly awaited the sequel which introduces a mature writer painting with words and images so colorful as to transport the reader instantly into the fifties, into the heart and lives of the closely-knit Italian community in Wilmington. The prose is replete with minute, and often touching, nostalgic, details of ordinary people, and you quickly forgive the slower pace, and that the author chose a new hero in Giulio "Julian" Fabbri, an almost dull character who enchants people and the reader with his musical talent and simplistic devotion to his deceased parents. You'll enter their kitchens, bedrooms, share their deep thoughts, sins, and triumphs, understanding the mentality of immigrants bonding so strongly that they maliciously hurt an African American family equally needing communal support and emphathy. Without offering a synopsis, repeated elsewhere, do join Maddalena's new family in a game of tombola while the enticing aroma of panettone and coffee mix with the holiday spirit. The Saint of Lost Things is a rich, deeply moving story that explains why the Italian culture and cuisine continues to be so appreciated in North America. Highly recommended.

Christopher Castellani has once again delivered a work that provides memorable characters living in a place and time that seems warm & familiar. In "The Saint of Lost Things," he carefully navigates the difficult challenge of writing a sequel without requiring the reader to read his first work, "A Kiss from Maddalena." His ability to introduce characters and energize them in their neighborhoods and livelihoods is almost without parallel. As with the first book, "The Saint..." is a quick read that compels you to keep reading. Maddalena, Antonio, Giulio, Abraham, et al are a wonderful collection of friends and strangers we have met in our lives; their stories are familiar to us -- and prevent us from putting down the book until it concludes. I hope he writes his next work soon.

Maddalena Grasso, like so many others in her Wilmington Delaware neighborhood, left her Italian village, and everyone she had ever known, for the hope and promise of America. This is a beautifully and honestly crafted story of one immigrant experience. The days of Maddalena's life are spent working as a seamstress, evenings she cooks for the males in her husband's large family, and her nights are spent waiting for her husband to come to her and praying that she will finally succeed in producing a child. Although so many sacrificed so much to come to this mixed society, the Italians lived in a neighborhood with other Italians, and resented (perhaps unto death) any influx of outsiders. This book bravely raises problems that had no resolution - at least none in the fifties - problems of life and race in a sea of work and fear, of striving for monetary success, and of loneliness. Maddalena is finally able to make a friend, a man named Julian. He is like a gift, as he brings Maddalena music from her lost society, and although he is male, he is of a type apparently unworthy of her husband's jealousy. It strikes me now - as I write this - that Julian is the only man in the book that I would care to share an espresso with, although meeting all of them has been most interesting. The characters represent a culture that was the European immigrant experience - and Mr. Castellani has shown us a slice of it. Well done!