Rose and the Yew Tree

You don't find out until the very end what the meaning of the title is, but it comes from a quotation by T S Eliot, ":The moment of the rose, and the moment of the yew tree, are of equal duration." That's from "Little Gidding" (1942), the last of Eliot's Four Quartets, thus it was very much a contemporary poem for Christie, who published this novel under her pseudonym Mary Westmacott in 1947. The whole novel is filled with impossible time schemes, for the main events take place at the very end of World War II, in the summer of 1945 when the Labour party mounted a landslide victory against the Conservative party dominated by Churchill, and Christie's fictional protagonist John Gabriel is put forward by the local Tories of Cornwall even though he isn't very much of a gentleman, in order to appeal to a changing political climate. Then another patch of the story happens in the autumn of 1947, when the narrator Hugh Norreys encounters two of the Cornish characters in a faraway Balkan city ("Zagrade"). In other words, this must have been around the time that Christie was actually writing the novel. And yet as we experience the frame story surrounding these events, we experience is as happening at a much, much later date than this 1947 date. At least I would think it would be at least a decade if not two or three for John Gabriel, Christie's doomed politician, to transmute himself into "Father Clement," the romantic, saintly Mother Teresa of the apocalyptic Cold War period Christie imagines is going to happen. For much of the book, as others have noted, THE ROSE AND THE YEW TREE is a novel about disability; our hero has been involved in a terrible traffic accident and he is rendered almost wholly immobile. The tiny town of St. Loo becomes his window on the world, the nobility, the middle classes, the poor folk of the harbor like puppets in a Vanity Fair carnival for him. In despair, he fastens on the lives of anyone who comes to visit him, and yet for all his obsessions with their lives, he often fails to see their inner natures. He completely misses the fact that Teresa, his brother's Penelope Cruz-like wife, is steadfastly in love with him, while he fails to register the torrid three-way split between regal and distant Isabella Charteris, her fiancé (now stationed in Burma) Rupert, Lord St. Loo, and the common mongrel Gabriel. In the background of Gabriel's campaign we see the exact same events that formed the "back story" of Christie's contemporaneous play The Mousetrap (first written as a half hour radio play to celebrate Queen Mary's 80th birthday, May 1947). Evacuee children brought out from the London blitz and boarded on West England farms, but abused and starved by cruel farmers and their wives, are a feature in both THE ROSE AND THE YEW TREE and THREE BLIND MICE. Did Christie make up this account of abuse, or did she base her fictions on a newspaper or radio account of something in the news at the time? Where are the grad studen

A great story, lots of twists and turns to see where it is going. The narrator gives a fascinating look at what it's like to be disabled.

Warning. This is not your typical Agatha Christie. This isn't even a typical mystery. It's a tragedy, a gothic and a love story about an ethereal young woman, the three men who loved her and the fruit of her incredible sacrifice.