The Rose and The Beast

I found Francesca Lia Block quite by accident. I was looking online to see what Suza Scalora (one of my favorite artist/photographers) had illustrated - to see if she had published any other books (in addition to her Fairies and other book) - and I noticed she had illustrated the front cover of The Rose and the Beast (it's a gorgeous photo illustration, by the way). This collection of "fairy tales retold" by Block was intriguing. I have long been retelling fairy tales in a weird and twisted way, so I was naturally curious as to how Block treated it, and wondered if she was a "sister spirit" in writing. Reading about Block, I noticed she was placed by publishers in a strange liminal zone where she wasn't quite treated as a writer for an adult audience (fairy tales are always treated as childish in the Western world), but she was too dark and real for children. She now has a very avid fandom of young adult females. The Rose and the Beast had some dark adult undercurrents in its pages, but nothing too horrifying for women coming-of-age. Inside her pages are stories of Sleeping Beauty pricking herself with heroin needles, Bluebeard the serial killer and Little Red Riding Hood's Wolf as a child molester and wife-beater. Many of the other stories were less intense - but frankly, I liked the stories that touched upon the more violent and sadistic side of society better. There was something more satisfying about them.I found "Wolf" to be very suspenseful and intriguing - it had a genius quality - a story that flowed so easily it seemed the author wrote it quickly and in a deep trance. The voice of the narrator was very raw - it seemed honest and real. One paragraph reads: "I don't know what else I said, but I do know that he started laughing at me, this hideous tooth laugh, and I remembered him above me in that bed with his clammy hand on my mouth and his ugly ugly weight and me trying to keep hanging on because I wouldn't let him take my mom away, that was the one thing he could never do and now he had..." (p. 127-128)"Bones" was another one of the stories I just loved. It begins with "I dreamed of being a part of the stories-even the terrifying ones, even horror stories-because at least the girls in stories were alive before they died." (p. 153) Bones continues with "We were all over his house. On the floor and the couches and tables and beds. He had music blasting from speakers everywhere and I let it take me like when I was at shows, thrashing around, losing the weight of who I was - the self-consciousness and anxiety, to the sound. He said, You're so tiny, like a doll, you look like you might break. I wanted him to break me. Part of me did. He said, I can make you whatever you want to be. I wanted him to. But what did I want to be?" As you continue to read, you discover that "Derrick Blue" is a modern-day Bluebeard, collecting bones in deranged, serial killer fashion...And the story gains in suspense while you root for the female narrator to escape

'The Rose and the Beast' was my first look into the writing of Francesca Lia Block, and I was immediatly captivated by both her style and tone and her insurpassable use of imagery, and her ability to make old fairytales into new, darker and profound creations. It is gradually becoming clear in the general world of literature that fairytales in their original form were not at all intended for children, and the advent of sweet little fairytales, beginning with the Brothers Grimm and accumulating in the works of Enid Blyton, are gradually heading back to what they were originally used for - deep insights into the minds and souls of human beings as a whole. With that in mind, Francesca Lia Block perfectly captures their essence and meaning.The cover art also captures this regard for fairytales - the front shows a beautiful young woman - but to turn the book around and see her lower half, one can see her hands are talons. Needless to say, this book is *not* for children.There are nine tales in this volume, four of which are set in an entirely fairytale world, separate from our own, (Snow, Glass, Rose, Beast) and five of which are 'misplaced' fairytales, being played out in our contemporary world (Tiny, Charm, Wolf, Bones, Ice).Snow is a retelling of Snow White, which highlights a new angle on the tale - bringing forth not the love of Snow White's mother or her lover, but that which the old stories always forget to mention - that of the affection between Snow and the seven dwarfs. My favourite quotes, first when the dwarfs look upon her as a baby "they knew then that she was the love they had been seeking in every face forever before this", and when it is pointed out "She loved them. This is what no one tells. She loved them."Tiny is a reworking of Thumbelina. A mother looses eight children to death, but her ninth child is the size of her thumb, though "there was a perfectly normal heartbeat flickering on the screen like a miniature star". Tiny grows, unaware of her difference, till she sees her first male - a young man, searching for his Muse. Falling in love, Tiny appoints herself a Hero, and goes after him...Glass is a stunning retelling of Cinderella, in which our heroine is caught between the safety and predictability of her sisters, and the love she finds with her own Prince Charming. A natural storyteller, she is unawares of how easy she is to love, of her gift to transform, and of how she can change herself from sand into something clear and pure - like glass. Charm is the dark and disturbing tale based on Sleeping Beauty, in which the spindle is a heroin needle, and thrown into a world of drugs, photographs and glamour. But in this case, Sleeping Beauty *cannot* sleep, and only one person in the world can help her find rest, and awaken her from her nightmare.Wolf is Little Red Riding Hood, where a Stepfather takes the place of a wolf, and threatens the lives of a young girl and her mother. Running for the desert and her grandmother, the heroin

I loved this collection of retold fairytales with heroines who deal with today issues like abusive fathers(in the story Wolf)as well as bringing to life the sorrows and triumphs in each woman's story. I loved this book...some of the stories were so moving that I cried. I would not recommend this novel for children under thirteen because the book deals with heroin, swearing and even a little rape. The book was one of the best that I've ever read, and if you are debating the issue of buying it, don't hesitate.

Her descriptiveness, is beautiful. her staries are absolutly fantastic, this was the first book of hers I bought, and after this, I was hooked, i read it the first night I got it, in my bathtub, with candles lit, it was the perfect book for a soothing atmosphere, and I think my favrite story was Tiny, and Snow. Her work is fabulous! I totally recomend it, but it does have its dark parts just like L.A. so be open-minded! But it is a work of art!

Here is a book reminiscent of Angela Carter's "The Bloody Chamber" and Tanith Lee's "Red As Blood." These retellings of popular fairy tales are placed in modern settings with heroines well-established in the harsh lessons in life. While their experiences can be brutal, the heroines triumph and give hope to their readers. Be warned that these are not the gentler stories of Robin McKinley and Gail Carson Levine. However, Block and fairy tale fans (whether you are one or the other or both!) will enjoy this short story collection.Nine tales are offered including Little Red Riding Hood ("Wolf"), Beauty and the Beast ("Beast"), Thumbelina ("Tiny"), Bluebeard ("Bones"), Sleeping Beauty ("Charm"), Snow White ("Snow"), Snow Queen ("Ice"), and Cinderella ("Glass").Readers might also be interested in Ellen Datlow and Terri Windling's "Wolf at the Door," Emma Donoghue's "Kissing the Witch," and Donna Jo Napoli's "Zel."