Recorder Book

This is very close to THE major source as the 20th century textbook for recorder players and teachers. All topics of playing: breathing, articulation, instrument selection, literature, etc. are well covered and explained for the beginner, learning without a teacher; for a teacher, searching for another way of explaining a concept to a student; and to the more advanced player striving to gain skill and technique.

This book was exactly as described and i am very satisfied. It was delivered promptly and accurately. I would recommend this to everyone.

This book is packed with information about the recorder. I found it easy to read and believe that this book belongs on every recorder player's book shelf.

I, also, am looking forward to the updated version of "The Recorder Book" by Kenneth Wollitz. He has done a superb job of providing the perfect guide for recorder players. The information that most needs to be updated is that for the graded repertory and recorder care/selection sections. I also think it would be a good idea to add C fingering and music notation (side by side with F fingering) in the Beginner's First Lesson section, as many adults opt to start on the soprano recorder. The pratice, fingering, articulation, ornamentation and ensemble playing tips are all excellent. Overall, the book remains the favorite in my library of recorder handbooks. This is a "hand-on" guide. Historical repertoire is referenced well and technique could only be presented better from a personal, well qualified instructor. Judy Siegrist Kerrville, Texas

This is the best book yet written on the recorder. Ken covers the instrument's history and traditional repertoire; every aspect of technique, note by note; breath control and articulation problems; and makes a thorough study of performance considerations and practice habits. He also gives complete recommendations on selecting and caring for a new recorder. It is written in a relaxed, friendly style; very easy to follow and understand. This is THE book every recorder player should have, whether a novice just starting or an experienced player who wants to improve. The book's main shortcoming is its age. Written in 1982, a few details have become dated, particularly the list of recommended works to play. While the list is still valid, it could be longer with more recent works added. There have also been advances in recorder design and materials since 1982. I would also like to see discussion of applying the recorder to popular music of the twentieth century, but this is a personal beef I have with every recorder book. They all focus on the traditional Renaissance and Baroque music, with mention of modern works only in the classical genre. Another drawback is that the book's continued popularity has meant that used copies usually have an outrageous price. With patience, I eventually lucked onto a good condition hardcover for $15. Most listings tend to start around $25 for a softcover, up to well over a hundred for a fine hardcover. I understand that Mr. Wollitz is currently at work on a revised edition, that will hopefully be published within the next year. I look forward to it.