The Producers

Unless a person has been isolated in Siberia I think everyone has heard of the Mel Brooks hit musical "The Producers". Written by Brooks and Thomas Meehan it is probably the biggest hit on Broadway in the past 50 years. Tickets are unavailable until July 2002 and "prime" seats are fetching $480. Is the show worth it? You bet and so is the book. And it is only ...The book is a wonderful coffee table volume full of wonderful photographs from the production, rehearsal, casting and out of town tryout. There are stories from the stellar cast such as Nathan Lane, Matthew Broderick, Roger Bart, Gary Beach, Brad Oscar and Cady Huffman. Madeleine Doherty relates her hilarious audition as a little "old lady" and Brad Oscar's rise from a swing/understudy to the permanent part of Franz Liebking when another actor was injured.All of the lyrics and most of the book are included Act by Act. The lyrics for some of the songs that were deleted are hilarious. With Mel Brooks heavily involved in the book, we get to know how this valentine to Broadway was created and how the original 1968 film came to be.Miramax Books is to be given a standing ovation for the gorgeous design on this publication.If you have seen "The Producers" in New York as I did one month ago, this book is a wonderful souvenir and a necessary addition to your bookshelf. If you haven't seen it yet, it is still a wonderfully enjoyable volume. Anyone interested in Broadway or musical theatre will pore over the pages for hours.I highly recommend it and it would make a great gift.

This is a great coffee table book, chock full of pictures from every scene in the show, plus all the lines and song lyrics. There's plenty of notes from Mel Brooks and Thomas Meehan with inside literary references. I really enjoyed the section where they weren't convinced the show was a hit til they heard the review from the NY Times critic. This book is a hoot!

Caution: This book contains vulgar three and four letter words in the libretto and lyrics of The Producers. The intent behind the use of these words is humor, rather than prurience. The Producers is by far the best book I have ever read about the development and staging of a Broadway show. Anyone who likes Broadway, comedy, or Mr. Mel Books will find this book to be irresistible! For those who cannot get tickets to The Producers (or have tickets for 2003), this book is your best bet to enjoy this marvelous musical in the near future. I strongly recommend this book as a gift item for those who don't mind some salty language and references. This book contains reminiscences of the show's development from the first contact by Mr. David Geffen to Mr. Mel Brooks to encourage Mr. Brooks to create a Broadway musical version of the 1968 motion picture of The Producers by Mr. Brooks. Each personal statement is accompanied by beautiful, lighthearted candid photographs of the people involved. One of the most touching sections involves how Ms. Susan Stroman was chosen to direct and choreograph the show after her talented husband and artistic partner, Mike Ockrent died, and Ms. Stroman was still in mourning. The stories about the first reading for producers will leave you with a tingle of excitement. After the first act was read, Mr. Rocco Landesman offered the St. James Theatre. Fourteen producers present eventually invested in the show, after Mr. Geffen had to bail out due to other commitments. The accounts are full of one-liners to keep you laughing as you learn. For example, turning a movie with two songs into a musical with 16 more is described as being "not unlike trying to translate it from English into Serbo-Croatian." Although the feedback was good all along, everyone kept waiting for something to go wrong. But it never did. The most negative thing anyone said about the show was Mr. Brooks. "It's not funnier than Blazing Saddles." When the New York Times Review came in, it was an amazing rave that began with "How do you single out highlights in a bonfire?" You then get some background on sets, costumes, and winning 12 Tony awards.From there, the book presents the libretto of the show and the lyrics of the songs. The only thing that's missing is the musical score. But you can sing to yourself, and enjoy the many wonderful photographs of the 22 person cast (featuring Nathan Lane as Max Bialystock and Matthew Broderick as Leo Bloom -- with full allusions to Ulysses intended). This is an annotated version, so it includes notes about what the draft versions had called for and the reasons why certain changes were made. Having seen the changes, I must agree that the decisions were unerringly improvements. Some of the false starts are pretty funny, too, such as the planned beginning with a "Hey, Nebraska" spoof of a well-known Broadway musical. If you are one of the few people who doesn't know the story line, let me give you a brief s

With all the dialogue in this CD you almost have to wonder what they took out. It's almost like they set out to put the entire movie on CD and ran out at 76 minutes (isn't the movie only about 12 minutes longer?)On repeat listening you find out that not only are "Springtime for Hitler" and "Love Power" the funniest songs ever written (and if you didn't know that already why are you even thinking of buying this CD?) but the rest of the movie is hilarious including "the toy" scene and all the scenes with the Kraut "No one knew this but the Fuhrer was a TERRRIFIC dancer..." as well as the interaction between Gene Wilder.Of course since this is a CD you can simply put Love Power and Springtime for Hitler on autorepeat and not believe me.