Gaston Leroux's classic tale of tragedy, grand opera, romance and horror has been masterfully adapted by Ken Hill, the author of Mummy's Tomb and The Curse of the Werewolf, into a musical play which preserves all of the excitement and passion of the much-loved original, underscored by a strong current of comedy as well. The Phantom, born with a monstrously disfigured face but the voice of an angel, haunts the Paris Opera House and falls in love with...