This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real--their fascination with the spectacle of violence and suffering--and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study--by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner M ller--zero in on scenes of agony,...