Neil M Gunn, one of Scotland's most distinguished 20th century authors, wrote over a period of 30 years, starting in 1926 and ending in 1956 with his so-called spiritual autobiography The Atom of Delight. Two years before this he wrote his last novel, The Other Landscape, the setting being the east coast of Scotland's most northerly mainland county. This provides the perfect backdrop - a fishing hotel and its English residents, the local ghillies who served them, and a solitary white house near the cliffs in which the occupant, a man from the South, lives alone. Add to this the Major, a retired military officer-cum-diplomat, who quickly shows himself to be an insensitive and overbearing man, disdainful of his fellows and aggressive towards those who challenge his views or show any form of disrespect towards him. His paternalistic behaviour towards the local community masks a contempt for it. Life in the hotel is lightened on a more mundane level by two incidents, both directly relating to the Major - a false alarm over a drowning incident and a fire in his bedroom, both of which end happily, but with a damaging loss of face for the Major and much amusement for the guests and staff at the hotel. Juxtaposed with the sporting life at the hotel, and in a subtle way connected to it, is the fate of the solitary and bereaved occupant of the white house. The shadow of death, both present and past, hangs over the house and blends with the palette of second sight and the strong phenomenon of 'recurrence', when patterns of events inexplicably repeat themselves. The reader is thus invited to consider the realities of life and death and the inherent tragedies that are contained within them, but in the end is presented with a glimpse of hope and renewal.
Gripping stories leave enduring Highland society portrait
Published by Thriftbooks.com User , 24 years ago
His last novel, this is typical of those which preceded it. Set in the Highlands of Scotland, it contains a cast typical from the 1920's through to the 1970's: locals struggling with a harsh land and sea, the more able youngsters leaving the community, the rawkous, the well-to-do hunting and fishing set from the South, the effects of economic dependency on them, and the more sympathetic academic visitors. It is an action story, a psychological drama (with some scenes evocative of William Golding's later, more extended treatment in "Pincher Martin"), a detective story, and a social commentary all in one, containing impressionistic character portraits, dry highland mirth, and gripping tragedy. A stong line of metaphysical speculation, pithy philosophical discussion, and acute observation of personal and group dynamics runs through the sub-plots. The title refers to the first of these since he gives more attention to the "other world" and tries to incorporate its "presence" more fully here than he had previously in his earlier works. Whether or not his rather self-concious treatment successfully parallels the celtic story-telling tradition, this doesn't diminish the book's worth.For those familiar with the Highlands at that time, the value of the book is its masterful storytelling and suspense and the philosophical nuggets, even if the setting would now seem historical given recent changes. For those not familiar with the place and the people, it may take more effort to follow the allusion and the impressionistic sketches which he draws (a glossary for non-Scots is missing). The effort is worthwhile if one wants to understand the background to northern Scotland today.
Gripping stories leave enduring Highland society portrait
Published by Thriftbooks.com User , 24 years ago
His last novel, this is typical of those which preceded it. Set in the Highlands of Scotland, it contains a cast typical from the 1920's through to the 1970's: locals struggling with a harsh land and sea, the more able youngsters leaving the community, the rawkous, the well-to-do hunting and fishing set from the South, the effects of economic dependency on them, and the more sympathetic academic visitors. It is an action story, a psychological drama (with some scenes evocative of William Golding's later, more extended treatment in "Pincher Martin"), a detective story, and a social commentary all in one, containing impressionistic character portraits, dry highland mirth, and gripping tragedy. A stong line of metaphysical speculation, pithy philosophical discussion, and acute observation of personal and group dynamics runs through the sub-plots. The title refers to the first of these since he gives more attention to the "other world" and tries to incorporate its "presence" more fully here than he had previously in his earlier works. Whether or not his rather self-concious treatment successfully parallels the celtic story-telling tradition, this doesn't diminish the book's worth.For those familiar with the Highlands at that time, the book will read like a nostalgic ride into the past given the radical changes which have taken place in the meantime. For those not familiar with the place and the people, it may take more effort to follow the allusion and the impressionistic sketches which he draws (a glossary for non-Scots is missing). The effort is worthwhile if one wants to understand the background to northern Scotland today.
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