A few decades back, when Jon Anderson wrote that "the secret of poetry is cruelty," he must have had something like Brigit Kelly's poems in mind. Kelly's third book, The Orchard, continues her fascination with the suffering and cruelty that lies somewhere between the animal and the human, obsessing over pain directly linked with physical beauty. It's important to note that the speaker in Kelly's poem is a witness to suffering rather than an instigator. She seeks to comfort and justify those in pain, the human and animal, the living and the dead, to name them with poetical power, as she does a diseased dog in "The Wolf," linking that dog to wolf and then wolf to myth, making "of her something / Better than she could make of herself". This poem is one of the finest in a collection full of fine poems.And Kelly likes her descriptions steeped in beauty and terror. In the last line of "Elegy" she writes, "Brighter than a bed of lilies struck by snow." That violent "struck" means everything to Kelly's poetics. It's subtle, hidden between the blinding purity of the lilies and the snow.
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