The Nutmeg of Consolation

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe. Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania. Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatl

"The Nutmeg of Consolation" is the fourteenth volume in the famed Aubrey-Maturin series. Even by Patrick O'Brian's standards, this is a particularly well crafted tale, wonderfully displaying the author's masterly narrative technique. I enjoyed it tremendously!The story begins where "The Thirteen-Gun Salute" ended, on an uninhabited island in the South China Sea. Engaged in building a schooner after having suffered shipwreck during a typhoon, HMS Diane's survivors - including Jack Aubrey and Stephen Maturin - soon find themselves under attack by Malay pirates. Once this scare is over, a stroke of luck brings them to Batavia from where Jack puts to sea in command of a Dutch ship renamed "Nutmeg of Consolation". Once more it is a French frigate our friends are after, and the ensuing chase is yet another testimony to Patrick O'Brian's phenomenal skill of describing a sea action in the age of sail. Reunited with the "Surprise", the party finally reaches Sydney, site of the penal settlements of New South Wales. There, Stephen not only succeeds in finding Padeen, his former manservant who was deported to New South Wales, but he is also provoked into a duel, acquires a boomerang and has his first encounter with a platypus. It is indeed an eventful stopover in Down Under!There certainly is a lot of action in "The Nutmeg of Consolation", settings change quickly and along the way Jack and Stephen find themselves in unprecedented situations. And yet, at the same time, there is more wit and irony in this book than in many of the volumes written beforehand. Undoubtedly, the tale's main character is Stephen, deeply immersed in the local flora and fauna whenever possible, but sometimes - and for various reasons - irritable and agitated, his fortunes changing several times during the course of the novel. Through his personage, Patrick O'Brian keeps the story together in a wonderful fashion. Definitely a favourite of mine in the series - at least up to now!

The fourteenth of Patrick O'Brian's brilliant twenty-volume nautical series finds Captain Aubrey and Stephen Maturin in the south seas. After we get off the deserted island where O'Brian left us shipwrecked in "The Thirteen Gun Salute", we get a new ship, fight the French, find the Suprise, and finally end up visiting the penal colony that is today Australia. O'Brian, of course, has done his homework. The brutality, violence, corruption, and degradation of Australia make for some harrowing reading. Maturin occupies himself with his nature studies, surrounded by wholly new species, including the platypus that provides us with another cliffhanger ending. Because while "Nutmeg" is a sequel to the previous volume, it is also left unfinished. O'Brian's dry wit, intelligent prose, and nautical research are as powerful as ever. On to the next one.

This fourteenth novel in the Aubrey-Maturin series begins where the last one left off, with Jack, Stephen, and 157 crew members cast away on a not-quite-desert island in the South China Sea, attempting to build a schooner from the remains of the wrecked DIANE. After time out for a game of sand-lot cricket (these are Brits, after all), they find themselves holding off a concerted attack by predatory Malays. O'Brian certainly knows how to start his story off with a bang! With a little fortuitous assistance, they make their way back to Batavia, and Gov. Raffles supplies them with a recently raised Dutch ship -- which Jack renames NUTMEG. They set off to rendezvous with the SURPRISE, with adventures and single-ship action along the way, and eventually make it to the penal colony at Botany Bay. O'Brian has some pointed and highly critical observations to make on the British governance of early Australia, and he also maintains his high standards of character development, wit in describing the relationship between the captain and the doctor -- their personalities are extremely differenent in many ways -- and beautifully painted pictures of life and weather at sea. This is one of the best so far of the latter part of the series.