The NPR Listener's Encyclopedia of Classical Music

The NPR Listener's Encyclopedia of Classical Music is a great book to be used as reference. For instance, if you needed to look up a composer or a musical marking, this book would be great to use. That is why I bought it, and I plan to keep it beside my keyboard for quick music reference.

"The NPR Listener's Encyclopedia of Classical Music" is a delightful combination reference book and video game for all classical music buffs. Besides its nearly 1,000 pages of listings, from Claudio Abbado to Ellen Taaffe Zwilich, the book gives you access to a page on the Naxos Music website which allows you to listen to more than 500 musical selections online. I just signed on to the page for the first time, and listened to the very first listed selection--John Adams' "Shaker Loops." I look forward to hours of fun with this wonderful new toy! I appreciate the breadth and depth of knowledge author Ted Libbey brings to the project, as well as his inclusion of favorites of mine who aren't necessarily well-known to today's listening public, such as the Danish tenor Aksel Schiotz. In his introduction, Libbey notes he tried to avoid the gaps and errors in such standard reference works as Grove's Dictionary of Music and Musicians, and adds, "Doubtless there will be errors still, and for these I accept full responsibility." Alas, I have already caught him in two. The first is the listing of Beethoven's birthday as December 17, 1770, when even "Peanuts'" Schroeder and Lucy know that Beethoven was born on December 16. Of course, that could have been a printer's or proofreader's error, but the second mistake is more serious--when Libbey states that Vladimir Horowitz withdrew from the concert stage in 1953 in a severe depression over the suicide of his only daughter. Actually, Horowitz's daughter, Sonia, did not commit suicide until the 1970s (which caused Horowitz a second bout of severe depression); I'm not sure exactly what caused Horowitz's 1953 breakdown, but I had always understood that an addiction to prescription drugs was at least partly to blame. Nevertheless, these are minor caveats to an otherwise enjoyable and informative volume. Any classical music lover with computer access would be happy to own it.

Don't get this if you are looking for an overview of music history, this is a reference book--exactly as advertised. It comes with a login to naxos.com that allows you to listen to literally hundreds of hours of music from the naxos library for free! This is a tremendous value. I was most impressed by the sheer amount of information--not just the historic information, even my favorite 20th and 21st century composers were given a fair amount of coverage.

I went out on a limb and bought this while deployed overseas not really knowing what to expect. I didn't get what I wanted, but turns out, got something else....and its great. This I would say (along with THE ESSENTIAL CANNON OF CLASSICAL MUSIC by Dubal) make up the two books that I think every newcomer to classical music should own to enhance their listening experience. This book will function to explain every piece of strange terminology you will ancounter on your journey (and boy are their a lot of them!) and even give you background on some pieces and composers. So listen, enjoy....and keep me updated!

As someone who helped in the editing of this project, I am altogether loath to praise it in a commercial forum. But I really must wonder what the above foolish critique from *Publishers Weekly* is about. Talk about unprofessional skimming. Is it better to include a truly minor composer (Reynaldo Hahn) than a leading young American violinist (Hilary Hahn)? What of the reviewer's clear implication that there are no pictures of Mozart (there are several) or Salieri (there is a silhouette), or that it would be better to omit any photos from the nitwit movie (*Amadeus*) through which most laypeople recently have become misguidedly familiar with these two figures in music history? Even if it's called an encyclopedia, it is altogether informed by one person's judgment and taste -- as if it could ever have been otherwise. As for the "numerous" errors alleged, of which only a trivial charge concerning an omission holds up, one disputes the book's report about Mahler's departure from the Vienna Court (today State) Opera, countering that he was not fired but resigned. Alas for the skimming *PW* reviewer, Grove's explains it baldly: "... he was again forced to look elsewhere." So you can safely ignore this particular *PW* review. Buy Libbey's work to read and decide for yourself how solid it is, how useful for you in your listening, and where you may wish to quibble, if you do.