Film noir is by definition dark, but not, this book argues, desperate. Examining twenty-eight great noir films from the earliest examples of the genre, including The Maltese Falcon , The Big Sleep , and Out of the Past , to such twenty-first-century spy films as The Good Shepherd , Syriana , and The Bourne Ultimatum , this study explores the representations of trust and commitment that noir and spy films propose. Through thorough examination, von...