Three Plays: Victory Celebrations, Prisoners, The Love-Girl and the Innocent

When we get annoyed at Solzhenitsyn's lack of insight in contemporary politics (for instance, when he applauds the Russian intervention in Chechnya), we can turn back to his depictions of life in the Soviet work camps and delight in the fact that he used to be different (when the ruling was an enemy suiting his conservative and slavophile ideas, as one is tempted to add). 'The Love-Girl and the Innocent' is a brilliant play about the inhuman world of the camps, that have their own rules, and where nothing of the world outside matters. The 'Innocent' is a newly arrived prisoner, who still bears idealism and is reluctant to adopt the camp techniques of survival. His love for Lyuba, one of the many women forced by circumstances to sell themselves for privileges and rations, tempts him to compromise with himself and betray his moral and emotional loyalties.