Martin Chuzzlewit (Wordsworth Classics) (Wordsworth Collection)

Martin Chuzzlewit the elder is dying and all the family has designs on gaining their inheritance. His grandson seems the odds on favorite but young Martin, the grandson has fallen madly in love with the elder Martin's altruistic nurse, Mary Graham. Why the elder Martin finds this terrifying is puzzling. Does he really think Mary's interest in Martin the younger will compromise the quality of her job? Oh, oh...I've done it, I've caught Dickens capturing the foibles of humanity again!!! These characters sometimes make me scream. I'd like to be face to face with them, vigourously attempting to argue them out of their other-destructive behavior...Of course it would be totally useless as far as they're concerned, but hopefully cathartic for me. The PBS video (6 hours) is how I was introduced to this story. After viewing the video I read the book. Dickens offers a marked contrast to his near contemporary Alexis deTocqueville's. Where Tocqueville saw free association and high community spirit in his Democracy in America, Dickens saw flim-flam and greed everywhere. -As greed and selfishness are big themes in Chuzzlewit, America proved an apt foil. It is said American publishers pirated Dickens work, paying him no royalties, adding fuel to his ire. Other reviewers have commented on Pecksniff , Mrs. Gump, Jonas Chuzzlewit and Tom Pinch. Oh, there are Dickensian characters in this book. The rivalry between Mercy and Charity Pecksniff results in this case, in alarming tragedies of self-centeredness. If there be humor in such goings on, you'll love Montigue Tigg (Tigg Montigue). He is every bit the operator, having much in common with Mr. Merdle of Dicken's Little Dorritt. Rest assured, as Dickens torments the reader with the trials of his characters, this is one of those tales where just desserts are served in the end.

Martin Chuzzlewit is full of those wonderful characters that Dickens excels at writing. His characters, both the odious and the virtuous, literally seep into your consciousness and feel like people you know (in fact, people you are certain you've met). With Martin Chuzzlewit, Dickens gives us some truly awful examples of humanity and the all too common selfishness and false piety that so many demonstrate in their daily lives.We stand beside the poor, woefully abused Tom Pinch and cheer at his every minor victory, and watch the machinations of Mr Pecksniff and his daughters, Charity and Mercy, with despair. In fact, every character feels like a true individual with a complete life of his or her own. Dickens succeeds brilliantly at making his characters come to life.It is, indeed, these characters, far more than the overall plot, which makes this a wonderful read. We are drawn, literally, into their lives and we actually feel an emotional connection with them. That while some are caricatures of `good and bad', they are so fully realised, it makes little difference.This is not to say the entire novel works - as with much writing of this period, the style might frustrate modern readers who are used to straightforward writing that `cuts to the chase' - Dickens certainly liked the written word and he uses it liberally, as an artist might cover a canvas with thick, colourful paint. Martin Chuzzlewit is a novel you don't (and shouldn't) sit down to all at once. It's something to be savoured and enjoyed over time (as the original readers would have done, anxiously waiting for each chapter to be printed). This world is simply too detailed to skim through.If you're an American, you might question the inclusion of the American section. While it ultimately brings about a characters transformation, its sarcastic, and at times scathing, humour of 1800's Americans is undoubtedly too much for some in the mainstream American audience. It's a pity that more people don't seem to have a great sense-of-humour about themselves - probably one reason this wonderful book has never enjoyed the success of other Dickens classics in the US (though it's still very popular). My suggestion (rather than another reviewer who shamefully said to just skip the US bit) is to simply look at this new world through an outsiders eyes (remember that this was 100 years ago) and understand they won't always see things with rose-coloured glasses - and lets admit it, nowhere is perfect. Just remember, for all of Dickens' criticism of the US, it is tame compared to his observations of life in England; unfortunately some Americans seem to forget that.So, if you're looking for a wonderfully funny story of how truly good people are tormented by those who feign to be good, you will thoroughly enjoy this book. Just waiting for everyone's comeuppance is worth it. Once you get into it, you won't want to finish.

Besides "Bleak House", "Martin Chuzzlewit" is easily my favorite Dickens novel. Where else do you have an opening chapter (describing the past Chuzzlewit family history) that is so absolutely hilarious you find yourself rereading it several times before you begin chapter two? Where else do you have a character as funny as the greedy and transparent Mr. Pecksniff? People complain that the plot is paper-thin even for a Dickens novel and that the American sequence is an unneeded digression. Perhaps true, but I think the characters and comedy in this book overcome any of its shortcomings. While others point to better known novels like "David Copperfield" as the best to be found in Dickens, I think "Martin Chuzzlewit" tops everything except "Bleak House" (but then how could it, seeing that "Bleak House" is probably the greatest English novel of the 19th century). In closing, if you're new to Dickens, you would do well to start here--the book, although long, is fast-paced, funny, and, at the end, even macabre.

Martin Chuzzlewit is a funny, memorable, and insightful book. The engravings in the Oxford Illustrated edition are a charming addition to this story of hypocrisy, family intrigue, selfishness, loyalty, and friendship. Dickens's use of language is precise and often stinging. The book is laced with humor in the service of more profound goals. If you buy the Oxford Illustrated edition, skip the critical essay at the start of the volume, as it gives away some plot elements best left for the reader to discover. (Read the essay AFTER you have finished the book, if you like, or just ignore it.) My 9 rating reflects the combination of humor, satire, memorable characters (most especially the resolutely jolly Mark Tapley and the hypocritical Mr. Pecksniff), and a thoroughly entertaining plot.