The Jupiter Myth

Linsey Davis makes you feel right at home in Roman Britain

Lindsey Davis is now well into double figures with her Falco novels. They say that most people have a good book inside them, but to be able to write consistently good novels with innovative plots is a gift. I believe it was a conscious effort on the part of Lindsey Davis to take Falco out of his normal surrounding and freshen her storylines up with a visit to Roman London. Of course no sooner has Marcus Didius Falco and his wife Helena, who's breeding and background should put her far out of the reach of a rascal like Falco hit the streets of Londinium than a body is found stuffed down the well of a wine bar. The unfortunate victim is a henchman of King Togidubnus an important ally of Rome. Falco needs to pull out all the stops to find the murderer and placate the powers that be, but many things are about to happen before the mystery can be solved. Keep it up Lindsey.

Marcus Didius Falco and his family are waiting to return to Rome after a successful investigation in Britain when a body is discovered in a bar well. Falco is an informant so he gets the job of investigating. Unfortunately, the dead man was one Falco knew--a criminal. And Falco soon learns that the death is associated with a criminal gang that seems to have virtually taken over Roman London. Falco's problems escalate when his wife adopts a teenaged runaway girl, and when Falco himself runs into the lover he left behind--a beautiful acrobat who has become a female gladiator. In the first century A.D., Roman Britain is still fresh, Rome is still an expanding power, and Britain is the ragged edge of Empire. Still, Roman customs are being introduced to Britain--baths, gladiators, olives, and wine. And the gods, of course. But it takes a while for Falco to determine that there is a connection between all of the wineshops, whorehouses, and theaters named after Jupiter. The connection is the gang--a gang that is another very Roman innovation in Britain. And it turns out that Falco and his best friend Petronius Longus had faced that gang before, back in Rome. Author Lindsey Davis does a fine job drawing a picture of early Empire law enforcement. In each of the Falco books, Falco seems to emerge as a more interesting character and his relationship with Helena continues to deepen. Politics and corruption are not modern inventions and Davis describes the ancient version of the Mafia in intriguing detail. In THE JUPITER MYTH, Falco spends a lot of time chasing badguys, battling for his life and generally adventuring rather than sneakily crime-solving, but that doesn't keep MYTH from being an exciting story and even, occasionally, a heart-warming romance.

Couple of firsts here for Davis. Initially a direct continuance from `A Body in the Bathhouse' where the culprit who Marcus had exiled to Gaul, turns up in Londinium as the murdered party, secondly Marcus has a more personal reason for investigating the case. A step away from his usual informing, though it is given an official air by Hilarius and Frontinus, the Roman Britain procurator and governor, respectively. What Davis also does, is impose an even tighter deadline for Marcus to carry out his sleuthing, than in the preceding novel.After the somewhat muddied effort in `Bathhouse', the Jupiter Myth is a better offering from Davis (however, I still believe Marcus is at his very best when operating in the familiar surroundings of Rome). It is, however, very slow after opening with Verovolcus' body headfirst in the Shower of Gold's well. By the end, it is ironic that this murder was more a catalyst for the remaining action, rather than particularly relevant. In fact, more effort is given to Marcus' search for Petro who inexplicably takes off over the first hundred-plus pages than any cohesive effort at establishing motive and suspects. Indeed, Petronius' behaviour doesn't match with the character Davis has so painstakingly created over the series. His rough treatment of Marcus, ordering him to stay out of it before he gets killed is blatantly ignored in the immediate as the pair begin to openly meet. I am still not entirely sure what the purpose of the scene was.Other than mutterings about a widespread protection racket and liberal descriptions of Londinium after Boudicca's revolt the book then stumbles through until we meet Marcus' old flame - the new gladiatrix Amzonia, more personally known as Chloris. It is at the point the entire novel is rescued as Davis' writing lifts, the action becomes precise, fast-flowing and Marcus becomes the fast-witted informer we all love.We leap from a battle in Londinium's wooden ampitheatre (Helena even gets involved with a pack of dogs), to ballistae at warehouses, legionary fights at locales to the breathless end with Petro's saving and Maia's somewhat exasperated final action.So, a tale of two parts. On the first part you could see a continuance of `A Body in the Bathhouse' in that it was beoming more and more evident that Falco doesn't travel very well. However, in the second part, Davis rescues it with the final hours from Maia's `capture' to the breaking of the racketeering gang. Perhaps this is due to the fact that, this time, Rome follows Falco to Britain and thus the easy familiarity is readily established. By the end of the novel Falco is back to his sleuthing best with plenty of action thrown in making this latest installment a delight to read. However, his insistence on going `home' to Rome, gives hope that the whole of Falco's next installment (The Accusers) will be back to its very best.