The James Deans

When he is cornered at an employee's wedding in 1983 New York, the last thing wine shop owner and private investigator Moe Prager is to work for a politician. A former cop who was forced on disability by a piece of carbon paper on a waxed floor, Moe has had enough of being manipulated and holds a secret that could destroy his marriage. However, a carrot and stick approach by the bride's father forces Moe into working for State Senator Steven Brightman and investigating the disappearance of his female intern in Reed Farrel Coleman's The James Deans (Plume).. Moe soon makes headway into the case, but after coming to a conclusion that leaves everyone satisfied niggling doubts begin to force Moe into looking a little closer at a case that has been tidily resolved. Now, Moe must decide whether to open a can of worms that would leave the powerful and his own friends particularly unhappy with his actions. From the Senator down to the neighborhood bar owner, all are invested in the nicely wrapped package Moe has presented to the city. To continue investigating means that Moe risks sacrificing his career, his family, and his friends. Moe Prager is a wonderfully down-to-earth detective who, although bored with his mundane life, would rather avoid a fight than wield his muscle. His love for his family makes him engagingly human, especially when he knows that a secret he shares with his father-in-law will one day explode and shatter his marriage (Walking the Perfect Square, 2001). Not overly bright but always quick with a quip yet never annoyingly so, it's his ethics and sense of honor that make Moe shine. Taking a turn at writing his version of the Chandra Levy/Gary Condit scandal, Coleman does an original twist with the plot as halfway through, just when you think the mystery has been solved, he boomerangs the story and leads Moe into making a decision that forces him to look deep into his soul and his sense of justice. While Coleman does make a few obvious references meant to give a wink and a nod to the present (a poetic look at the sturdy World Trade Center and jokes about a going-nowhere Arkansas Senator), he writes a riveting plot and creates a vivid portrait of eighties New York City. Always entertaining with a character who is never disappoints, Coleman continues a series that improves and expands on a truly unique character.

Moe is the refreshing antithesis of most characters being written today. He is a loving husband, father and brother, neither an alcoholic nor a drug user, but with secrets and burdens of his own. I still rave about "Walking the Perfect Square" as one of my favorite books. Coleman creates an environment that feels personal. But it's the writing that makes this book and series one I feel deserves attention and recognition. Highly recommended.

An ex-cop turned successful wine merchant and sometime PI. A golden-haired politico wanting to be another "comeback-kid." An office intern who turned out to be a deadly researcher. These are the intriguing main characters in Reed Farrel Coleman's third Moe Prager mystery, The James Deans. If you've got politicians in a story, then you know what the other elements will be--greed, betrayal, misuse of power, dishonesty, and in the wake of Monicagate and GaryCondit/Chandra Levy, sexual dallying will play a big part too. Or will it? That's what's so intriguing about this specific mystery and the skill that author Reed Farrel Coleman brings to his stories--you think it's going to follow the path lead by headlines, then it veers off into uncharted territory, with roots laid deep and long ago. His style is lean and mean on one of its threads and spiraling with imagery on another. The combination makes his writing exciting and hard to forget. The James Deans is a terrific page-turner, complicated with plenty of twists and made rich with believable, flawed characters. It's only a matter of time before Coleman and emerges from the pack and shines in the spotlight.

Reed Coleman is one of the hidden gems of the mystery genre, a skilled writer who has somehow flown under the radar, despite getting some of the best buzz among fellow writers. His series detective, Moe Prager, is a great character, a refreshing change from the typical PI cliché. He's a good man, a devoted father and husband, a successful businessman. Like the rest of us, he's got his share of pain, but he's not a dark, haunted soul. Even though he runs a wine shop, he only occasionally drinks. Coleman's writing is sparse and direct, with great characters and excellent use of setting. There are moments in the book that are very funny, elements of fine suspense, and turns that are touching and even sad. Don't miss this wonderful book from a writer who deserves much more attention than he's getting.

I saw this book at my bookstore and picked it up based on the cover/title. Imagine my surprise when I started reading and it was actually a well-written story! I don't read as much as I want, but I had to absolutely had to finish this engrossing tale that had me hooked harder than the best episode of law & order. Save Moe. Buy the book!