Izu Dancer and Other Stories: The Counterfeiter, Obasute, the Full Moon

This is an interesting mix of Yasunari Kawabata's early work, well before he was Japan's literary superstar, and well before the works that would ultimately win him the Nobel prize. The title story (I can't say titular, can I?) is of a college student's crush on the youngest member of a dancing troup. Most likely autobiographical, it leaves the reader sharing Kawabata's youthful loneliness. The second larger short story (there's no better way to describe it) is Diary of My Sixteenth Year, which covers the disappating love of a youth and his dying grandfather. The remaining stories are much shorter, ranging from 3 to 10 pages each. Birthplace is an interesting story of abandonment and leaving one's home behind. Burning the Pine Boughs is as much about reading between the lines as reading what's on the page. Oil is a deep work of overcoming childhood loss. Three common themes permeate these stories. First is the idea of an imperfect, sour or unatainable love. Second is the idea that at least somehow many of them are autobiographical. Third is that much is left unsaid in the stories. In a sense they are a prose form of Zen art, where what is unsaid can be more important than what is put to paper. Despite being distinct, one can read inferences between the stories (the hands for prayer in both Master of Funerals and Hands, for example) and perhaps that is enough to tie them all together. Although Snow Country is commonly referred to as Kawabata's greatest accomplishment, these stories were more accessible and emotionally powerful.

"The Dancing Girl of Izu and Other Stories" is an odd collection of sorts, mixing an elegant, straight-forward short story together with some autobiography and a fluttering of palm-of-the-hand tales. Each element contributes a unique flavor, and a different facet of Kawabata's style. J. Martin Holman proves himself again a master translator of Kawabata, retaining the flow and most importantly the feeling of the originals, far more than other translators I have read. The only flaw I found was that he splits the book into two sections, which I personally found a bit jarring. I think it more naturally flows into three distinct chapters."The Dancing Girl of Izu" is as fine a short story as you are likely to read anywhere. Every necessary element is contained, with no superfluous decoration. It is heartbreaking in its subtlety, and masterful in its craft. Everything important is unsaid. Kawabata can manipulate emotions so deeply using so little, leaving the reader with an aching emptiness as great as that of the narrator. Beautiful, and fully worth the cost of the collection alone."Diary of my Sixteenth Year," "Oil," "The Master of Funerals" and "Gathering Ashes" are four short autobiographical sketches of Kawabata's relationship with his only relative, a blind grandfather who would figure into several tales. Not factual per se, but true impressions. They present an intimate portrait of youth trying to understand the aged, of responsibility and resentment of responsibility, and of the numbness of death. The stories are presented as recovered diary accounts Kawabata wrote when he was 16, and they may be so. I believe the feelings, and that is enough.The third section contains the 18 remaining unpublished palm-of-the-hand stories, Kawabata's personal trademark and contribution to literature. A page or three at the most, each story functions like a Zen koan, a story or riddle with no obvious meaning used as a contemplation tool by meditating monks to clear their minds and make them go hmmm...as they try to decipher. Koans have been called "extremely brief vignettes enabling the individual to hold entire universes of thought in mind all at once," and I think this sums it up nicely. Do not attempt to decipher these palm-of-the-hand stories, but instead read them and feel them and go hmm...

Although Kawabata is most often associated with his better than good Palm-of-the-hand stories, I don't view them as my favorate Kawabata work. The Dancing Girl of Izu (mandatory reading for Japanese Junior High School Students) is a sort of coming of age story that made me step back and reflect. The semi-autobiographical work is tender, heart warming, and a keen glimpse into Japanese life. If you have read and enjoyed earlier works of this author I would strongly suggest this collection to you. If you have yet to discover Kawabata, I say there's no better place to start!

Yasushi Inoue's The Izu Dancer And Other Stories presents a novella about six Izu Peninsula travelers who bond during a journey. Friendship overcomes initial differences in this gentle story of change: the other, shorter stories are equally compelling.

The first section of this book is autobiographical - the author's fictionalization of his own tragic childhoon. The diary of the period just before his grandfather's death is moving but I am uncertain that his appended notes add anything.Of the autobiographical section, Oil is the best piece. In his learning that his hatred for oil had its origins in his father's funeral - a father of whom he had no memories - is a telling piece about the human mind in general. This piece alone is worth the cost of the book.The second section has a variety of his early short-short stories bounded together, seemingly, only by when they were written and when they were published. The most interesting of these are the retelling of folktales - either directly or by writting a story that plays off one. The two tales I find most satisfying in this section are The Princess of Dragon Palace which is straight myth and The Money Road which is a setting of a folktale in contemporary times.A number of other stories are very well done and could easily be the one that speaks best to you.