The Italian Lover

Cleverly written as a sequel, yet a fine stand-alone novel, THE ITALIAN LOVER covers the making of a movie about THE SIXTEEN PLEASURES, in which Robert Hellenga first introduced us to Margot Harrington. Back then, she was a young American woman who traveled to Florence after the devastating flood of 1966, eager to do anything she could to help save some of the world's irreplaceable treasures. In the midst of a crisis in the art world, faced with the almost certain loss of innumerable ancient masterpieces, Margot's skills were not only desperately needed but welcomed. While working to restore paintings and documents, she made a stunning discovery. As THE ITALIAN LOVER opens, Margot has set up a studio overlooking the Arno River. More than two decades have passed since she first arrived in Florence. She is quite content with her work and her life in general. But a guy named Woody is about to change that. Brought together by a restlessness neither of them knew they had --- and an incident with a dog --- Woody and Margot grow from acquaintances to friends to lovers. Woody has been homesick lately, and, while Margot certainly eases his longing for the States, he is feeling the tug of the small town he left long ago. For Margot, it is an especially thrilling time. Not only is she involved with a man she enjoys more than any she has met in years, a well-known producer, Esther Klein, has purchased the movie rights to Margot's book. Excited and more than a little bit flattered, Margot launches herself into the project wholeheartedly, as she does with every endeavor in her life. She and Woody work together to create a screenplay, envisioning a variety of stars in the leading roles and picturing the scenes as Margot lived them. But authors envision things differently from producers and directors. Esther Klein has a vision very unlike Margot's. When the entire cast and crew come to Florence, a few sparks fly --- and naturally a few sparks are ignited between the players. It is not hard to imagine how, in such a romantic city in this very beautiful part of Italy, love could happen. When the Easter break rolls around, they must give up their hotel rooms for guests with prior reservations. The time is well spent, traveling to the countryside, the wine towns, the hill towns and the big towns, exploring and reliving experiences from another time. Each of them takes the reader along for a short but delicious escape into Italy. They eat well, drink fine wine and generally have a grand old time. Of course, there's plenty of friction too. Husbands and wives have different agendas. New lovers learn some secrets they didn't need to know. Besides Margot's frustration with the screenplay, Margot and Woody have difficult decisions. And Woody has a huge problem with the dog's legal owner. But that's another story altogether. THE SIXTEEN PLEASURES was such a memorable read that it seemed impossible to follow it up with much success, but Robert Hellenga has managed to

In this exquisitely written meditation on love and romance, author Robert Hellenga explores the relationship between art and life and how cinema acts as a type of looking glass so that the past is laid over the future and the future is laid over the past. Fifty-three-year-old book conservator Margot Harrington is finally going to have her memoir filmed about her life in Florence and her experiences when she'd first came to Italy after the big flood of 1966. Central to Margo's sojourn on Florence is her discovery in the convent where she had been working of a unique copy of a book of Renaissance erotic drawings and poems called The Sixteen Pleasures by Pietro Aretino. However, the unearthing of this priceless manuscript also coincides with Margot's tempestuous love affair with an Italian art conservator, which ends in failure even as her mother finds happiness with her own Italian lover. Meanwhile, blessed with an affable personality, the articulate historian Alan Woody Woodhull pays his guitar at the local Bebop Club while also teaching at the American Academy of Florence. Woody had come to Italy in 1987 for the trial of the terrorists who'd killed his daughter, but after living in Bologna for a couple of years, he travelled to Florence, even so, at the end of the year, he hopes to return to Illinois, St. Clair. When Woody meets the lovely Margot, however, his plans to go home a placed on hold. Opening his heart to this enigmatic and lively woman, Woody is cemented in Margot's favour after the dramatic street rescue a dog that is being abused by its owner. Margot is lonely, afraid and homesick for Chicago but she's also attracted to Woody. The two become friends and lovers, and they both hope that the movie would validate Margo's life and her decision to say in Italy, especially when Woody offers to help her write her own version of the screenplay. At the same time in Los Angeles, the film's producer Esther Klein is reeling after having just split with Harry, her husband of thirty years. Even though she's spent most of her most of her life hangout with budding directors and moguls, she's still feeling adift, and it isn't as if she'd never made a film before, it's just that she's never done it without Harry to direct it. Luckily, however, Esther's savior arrives in the form of Michael Gardner. Once labeled a "middling" director by the critics, Michael is now dying of cancer and desperate to make a last successful movie even as his loving wife Beryl, struggles with the pain of his steadily encroaching illness. While Italian Comedy dell art actor Giovanni "Zanni" Cipriona is attached as the male lead, Esther is determined that a fresh new face to play Margot. When working actress Miranda Clark reads in Variety that Esther Klein is going to make a film of Margot Harrington's The Sixteen Pleasures, she intuitively knows this is the sign she's been waiting for. After ten years in Los Angeles where no one has noticed her, even after appearing

Readers of The Sixteen Pleasures will be delighted with the return of Hellenga's intriguing cast of characters, particularly heroine Margot Harrington. A book conservationist, she first came to Italy following the great flood of 1966. And, to her great amazement she came upon a copy of a book of Renaissance erotic drawings. She also embarked upon a love affair with an Italian art conservator. This coupling, as the song goes was too hot not to cool down, and the affair ended badly but Margot survived, and now the story of her life to date will be filmed. Producing the film is Esther Klein, once a top notch movie maker with her husband, Harry. Greener pastures beckoned Harry - not younger but greener and he dumped Esther for another woman. To add insult to injury it was a woman of Esther's age. Nonetheless, Esther is now working solo and determined to show Hollywood and the world that she could make a major film on her own. Nothing will stop her, she opines, absolutely nothing. Margot has found a new love interest in the person of Woody, a professor from Illinois, who had come to Italy for the trial of terrorists who put a bomb in a busy train station killing many, including Woody's daughter. He's a bit at loose ends now, soon pairing with Margot to write the screenplay for her film biography. Once the cast and crew arrives egos clash, careers as well as life hang in the balance, and lovers connect. All of this against one of the most beautiful, fascinating backdrops in the world - Florence, Italy. Hellenga treats us to vivid descriptions of gustatorial delights, art treasures, and scenic meanderings. Highly recommended for Italophiles and arm chair travelers with one major caveat - more careful editing. Misspellings are very distracting. - Gail Cooke

Reviewed by Irene Watson for Reader Views (8/07) Hellenga's setting in "The Sixteen Pleasures" (1995) brings back protagonist Margot Harrington into his latest book, "The Italian Lover," with romantic intrigue and comedy. At the center of the story is Margot, an American living in Florence, whose career encompasses restoring books. She is also an author of a memoir about her discovery of Florence and her love affair. It is the fall of 1990, and she is waiting for the arrival of a film producer interested in generating her story into film. During her wait, Margot meets and falls in love with Woody, an American teaching literature at the American Academy. As a sideline Woody plays guitar at the Bebop Club. Together they attempt to write the script that would impress the producer. Onto the scene comes Esther Kein, a producer, who once worked with her estranged husband producing films, Michael Gardiner, a victim of cancer, and Miranda Clark, an aspiring and distressed actress vying for the roll of Margot. As each character and subplot emerges, so does the drama of everyday life of the characters. Hellenga sets the scenes dramatically and pulls the reader into the panorama of Italian life. I found the Italian phrases distracting because I didn't know what they meant, and spent time guessing, often losing the intended plot. At times I also felt the storyline was slow and the characters under-developed. With all that said, I did enjoy "The Italian Lover" from the perspective of Italian culture. It brought old traditions into the modern intricacy and sophistication, realizing the differences between Italy and United States. Margot, herself, experiences of home, work, and love were not the same as she knew them in America, and conflicted in her Italian life. A good read and a book that makes you think of your own cultural differences.