The Innsmouth Cycle: The Taint of the Deep Ones

I could go on at length about how dissapointed I was with the tales...but I wasn't. For me a lot of them were first readings. I didn't read them originally in 1969 or feel dissapointed at the "racism" of 1913. For mere mortals like me these books offer affordable collections of decades of work. Robert Price is a fantastic introducer to many tales and for me raises the bar on what is otherwise is pulp fiction. His intros are full of gems. At one point he submits the idea that Innsmouth never intended to capture Olmstead, rather initiate him with a "passage of fire". Great stuff. I'm growing bored of my own voice here folks.Please check my other reviews.

There are certain praises I have for this book, with its inclusively delightful incorporation of preLovecraftian influences in addition to the Lovecraftian influenced, and I have some complaints about it, too, the biggest of which deals with the number of stories and their length. (Its advertised as having "thirteen tales and three poems," but some of the "tales" are actually really short poems as well.) Still, its not a bad mixture of stories for any reader and it does deal with the Deep Ones, Dagon worshippers whose plight (and antics) pull on my heartstrings.Random selections of some of the better beasts collected herein (not mentioning Shadows over Innsmouth because it doesn't need recognition) include:The Harbor-Master, by Robert W. Chambers, one of "preLovecraftian" stories mentioned that actually merits a look not only because its a well-written piece but also because it shows where Lovecraft procured ideas for "The Innsmouth look" and Devil's Reef. I give it a five star rating.Fishhead, by Irvin S. Cobb, is also another precursor to Shadows over Innsmouth that further illustrates the "Innsmouth Look." It is a strange look into the mentality of the public at the time, plus the mention Reelfoot Lake (I've lived near there and its frightening) sends a four and one-half star shiver down my spine.The Deep Ones, by James Wade, described by the editor as "Lovecraft's version of flipper," is another piece that deserves recognition. Besides being a nice framework focusing on the 60's that deals with Innsmouth, that title alone gets it a jovial 4.5 star rating out of me. andThe Innsmouth Head, by Franklyn Searight, an excellently written piece that warrants a pat on the creative back of the author by these hands. It poses the five-star question, "What do you do when fishing off of Devil's Reef and suddenly finding yourself hooking a bipedal reptilian?" which shouldn't be answered, "I keep its head and chuck the rest, of course!" All in all, its a nice read because it shows how people, including Lovecraft, perceive words and then build upon previous thoughts in their own ways. Besides, Deep Ones need a little love (and sunglasses for those unblinking eyes), too.

Like other books in this series, Robert Price has done a good job of bringing together a collection that covers the both hard to find Mythos classics like 'The Deep Ones' and more modern stories such as 'Live Bait'. Of course The Shadow Over Innsmouth is included to give new readers a foundation from which to jump into the other stories.Some of the stories are great, but this book could have used one or two more stories. At 233 pages, it is one of the shortest books in the series. On top of this, the first two stories were pre-Lovecraft.While it is interesting to read these Lovecraft inspirations, these stories along with Shodow, whioch most readers will already own, take up the first 88 pages. Nevertheless I enjoyed nearly all the stories, most of which were new to me.