The Innkeeper's Song

...about Peter Beagle. He writes simple stories that mean more to you the more you read them. He has a quirky and ironic way of writing that makes him fantasy's answer to Vonnegut. I read this book from a proof copy I found at a used book store, which meant it had quite a few typos and some missing lines, which did not make it any less endearing. This story plays with the form, much like Vonnegut did in Slaughter-House Five. Instead of coming unstuck in time, Beagle's story comes unstuck in narrator, as each chapter is told from inside a different head than the last. By the end, you know all the characters so well it's hard to let go. This book was a little hard to find, but the search made it sweeter. It is more mature than the Last Unicorn-- there is a sex scene that's probably too vivid for youngsters-- but if you're old enough to handle it, you will enjoy this book.

I was waiting for this. A fantasy novel that doesn't involve games of state (I guess I should say kingdom), plots of kings and princes, teenage hero + party of five deliver world from evil doom, or the quest for the magic sword. Instead, you get treated to a very quiet tale about a couple of characters who all converge at an inn. No earth-shattering battles. Rather, the tale deals with questions of loyalty and friendship in a very personal way, never overdoing it, not going for the cheap drama. If the plot is rather simple, the book more than makes up for it with the characters and world-building. Beautiful writing and a fresh taste.

Peter Beagle has a reputation as a young adult's author -- why, I'll never know. I didn't much like him as a teenager, but the older I get, the more I admire and enjoy his fantasies. The Innkeeper's Song is a beautiful book, but certainly better for 30 than 13 -- unless, perhaps, for a 13-year-old who has already had to deal with death. It concerns attempts to cheat death by magic, and the strange and unforeseen consequences, both good and ill, of raising a drowned young woman from the dead. The book is also noteworthy for a varied and unforgettable cast of characters who take turns narrating the story, giving the reader many perspectives on the same events and aiding suspense by concealing certain facts until the narrator shifts to someone in the know. Beagle's writing is so beautiful it's practically musical. I recommend this book highly to anyone who loves fantasy, folklore, mythology, and the grand old tradition of storytelling.

When I read The Innkeepers Song I was enchanted. It is a beautifully lyrical piece full of warmth and kindness and reality. You are not sucked into a typical fantasy world where the "hero" must save the universe by reciting a magical incantation and waving a sword about. You are also not subjected to the idiocy of a innocent male hero who is simply confused and doesn't want any of the burden of saving the world. Rosseth has a completely new twist on this boring character and was a joy to read about. Subtlety was exquisite and it portrayed the truth in any world, ours or theirs. This is a true piece of artwork and defines the fantasy genre (or an ideal fantasy genre) to a T.Enjoy.........

Beagle is one of the finest fantasy novelists currently writing, and for those who hunger for mature and literate stories his work appears far too infrequently. As in "The Last Unicorn" or "The Folk Of The Air", his writing rises far beyond the typical trappings of sword & sorcery. In "The Innkeeper's Song", Beagle starts us off with what appear to be recognizeable fantasy cliches - the old wizard, hard-bitten mercenaries, the crotchety taverner - and then stands each of them on their heads. Instead, Beagle weaves a subtle, intricate tale of deception, loyalty, and love, in which the characters having the adventure are at least as important as the adventure itself. By writing each chapter from the first-person perspective of a different character, he not only underscores differences in perception, but takes the reader deep inside each of his literary creations. In the hands of a lesser writer, this would be nothing but an annoying gimmick. But under Beagle's masterful guidance, it serves to make these characters living, breathing people. From hard, competent swordswoman Lal, to the dreamy stableboy Rosseth, to fat, cynical innkeeper Karsh, the reader comes to know them like old friends. A marvelous story which will linger in the mind long after the last page is read.