The Great Divorce

Sexy, absorbing and insightful, Valerie Martin's novel The Great Divorce (following her acclaimed Mary Reilly), explores the struggle for power between men and women, nature and civilization, in three mesmerizing tales of very different women whose lives are unraveling. Ellen Clayton, the vet at the New Orleans Zoo, tries to hold on after her faithless husband of 20 years leaves her for his young secretary. Camille, lonely and depressed, looks after the big cats at the zoo and fantasizes about relationships with sexually and emotionally abusive men. Juxtaposed with the contemporary stories of Ellen and Camille is the gothic tale of Elisabeth Boyer, the Catwoman, a Creole beauty in antebellum New Orleans who was hanged for murdering her sadistic husband. Martin fuses these stories of betrayal into a compelling narrative about human nature, passion and animal instinct, evoking the New Orleans of both centuries with equal clarity. Imaginative and profound, The Great Divorce is a great read that tackles important issues without sentimentality. Despite the inherent sadness and futility that Ellen, Camille and Elisabeth confront, the novel offers a note of hope. 'I think,' Ellen tells her daughter when a young jaguar at the zoo survives an illness, 'this time we win.'

Why isn't Valerie Martin better known? Her work is absolutely dazzling. "The Great Divorce" manages to sustain a level of enjoyably creepy menace from first page to last. It weaves together the stories of three couples, all of whom end up parted in different ways. Each of these stories symbolizes the conflict between man and nature, and each gives us a preview of a different resolution to that conflict. We can part from nature amicably, we can kill it with our indifference to it, or we can be killed by its vengeance against us. This may sound heavy-handed in my telling of it, but it is far from heavy-handed in Martin's telling. The book is a work of gothic fiction, of horror fiction, of historical fiction, as well as a penetrating study of the way we live today. Martin evokes the steamy milieu of pre-Civil War New Orleans as beautifully and as convincingly as she evokes the Crescent City of today. Her language is sinuous and seductive. It has the sleek, sudden power of a jungle cat. And her storytelling skills are masterful. It is shameful that this beautiful book is already out of print. Do yourself a favor and find a used copy. You won't regret it.