Can the reception of a single, widely disseminated book offer a historical road map for a global art history? This is the question posed by the editors of this volume of essays, which charts the enduring response to the Swiss art historian Heinrich W?lfflin's Principles of Art History, first published in German in 1915. Translated into 22 languages and still in print in many of them, W?lfflin's book inaugurated an art history based entirely...