The Fortune of War

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe. Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania. Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatl

The previous volume ended with the orchestrated escape of Mrs. Wogan and Michael Herapath from Desolation Island in an American whaler, and the reader knew that "the horrible old LEOPARD" was about to forge on, too, having managed to replace her destroyed rudder. This volume begins in late 1812, with the LEOPARD limping into harbor in the East Indies, with only a sentence or two given to the fate of Gov. William Bligh in Australia -- which didn't strike me as quite fair. The historical Bligh is a very interesting personality. However. The LEOPARD is good now only as a transport, and Jack Aubrey has been told of a nice frigate awaiting his command on his return to England, so he and Dr. Maturin and their followers take homebound passage with an old acquaintance of Jack's. It's a lovely voyage as far as the mid-Atlantic, but then events catch up with them, and they find themselves in a small boat struggling to reach the coast of Brazil. They're rescued by the JAVA -- which is then taken by the CONSTITUTION, the third British frigate to fall to the small U.S. Navy in a very short time. Very depressing for our heroes, but O'Brian doesn't hesitate to laud the abilities of the American seamen and commanders. Maturin and the wounded Jack end up as prisoners of war in Boston, where Stephen Maturin's intelligence activities against Napoleonic France come back to haunt him, and where he joins up again with Diana Villiers, Herapath (father and son), and Louisa Wogan. The focus is more on Maturin in this book than in most of the others (so far), and he shows himself to be quite cold-blooded when necessary in pursuit of his covert objectives. Escape from Boston becomes necessary when it becomes obvious that no exchange is contemplated for them, and they make their way to the SHANNON, which is maintaining the blockade of Boston Harbor, and which sends in a gentlemanly challenge to the CHESAPEAKE to come out and fight -- all of which is historically accurate, though strange to modern notions of warfare. And that brief but epic engagement is where this volume ends, with an obvious segue into the next. The earlier volumes were generally self-contained narratives, with a period of unremarked time passing between them, but the present novels cover too great a series of events to be dealt with properly in a single volume. And the greater the impact they have on history, the more Jack tends to recede into a secondary position -- which is only fair, since O'Brian didn't want to perturb the historical record too greatly. I enjoyed this volume in the series rather more than the last one, perhaps because I'm more knowledgeable than most about the early National period in the U.S. and the War of 1812 in particular. O'Brian does an excellent, balanced job of describing the local political situation in New England, and his powers of characterization are as strong as ever.

An excellent book, though no less could be expected from O'Brian. I took a considerable amount of time off between Desolation Island and this book so the characters and the nautical terms were a little unfamiliar to me. After the first twenty pages or so the characters, terms and myself came together like three old friends laughing and remembering our past adventures.O'Brian re-introduces characters from his previous books (Diana Villiers, Michael Herapath and Louisa Wogan) which I found tiresome from his previous works. In this book, however, O'Brian uses these three characters to great effect. To see my old friend Stephen Maturin become the ruthless spy I always wanted him to be was exhilirating. This is an excellent book and should be read by anyone who professes a liking for sea stories or historical fiction. Any bibliophile who is aimlessly scanning these reviews and has not read this series should start as soon as possible. Any O'Brian fan who wants to know if this tale is as good as the others in the Aubrey-Maturin series, let not your heart be troubled, it is excellent.

The Aubrey/Maturin series seems to get even better with each installment. The Fortune of War begins with Lucky Jack bringing his ship into port after the events of Desolation Island and reaches a thunderous conclusion with historical battle between the Chesapeake and the Shannon. In between O'Brian provides the reader with naval disasters, naval battles, cloak and dagger, tense escapes and even a cricket game! All this is set against the backdrop of the opening months of the War of 1812. The reader lives through unexpected reverses at sea and unanticipated successes on land in what is a tragic and senseless war.In The Fortune of War Aubrey and Maturin spend much of their time in the United States where Louisa Wogan and Diana Villiers of early books reside. The reader gets an excellent feel for the period and place. Interestingly, in what appears to be a nod to modern readers, O'Brian cites the low taxes in the USA. Also, many modern readers might be surprised to read how unpopular "Mr. Madison's War" was at the time. Ironically what was a nasty, vicious war on the Canada/US border was a gentleman's war at sea. Officers were paroled and free to roam the streets in an enemy city. Ships' captains could write courteous letters to enemy captains inviting them out to engage in bloody naval conflicts. Perhaps the greatest irony was that the two societies with the freest men were engaging in a wasteful conflict while a tyrant was running roughshod over Europe.Perhaps the most interesting perspectives for the naval buff are O'Brian's explanations of initial American successes at sea and their affect on British morale. According to O'Brian American frigates (the largest class they had available) outgunned their RN counterparts. Furthermore, many of their officers and men had learned their gunnery skills on RN ships. However, the RN was also the victim of some its own policies and past successes. The restrictions on the use of gunpowder in practice left Captains without independent means the opportunity to maintain crews with a high level of fighting efficiency. Furthermore, the systems of privilege and patronage had put a number of excellent captains on shore and poor or mediocre captains at the helms of fighting ships. Nelson's successes were also a problem. His approach to attacking French and Spanish ships was inadequate for better trained American crews. For the RN, which had a magnificent track record for decades culminating with Nelson's victory at Trafalgar, the few relatively insignificant tactical losses to the Americans were devastating to morale. Aubrey's reaction demonstrates this thoroughly. The fact that ships like the Constitution were severely damaged and out of action for long periods after victories did not satisfy. Nor did the victories on land in Canada.The Fortune of War features some of the best action sequences that O'Brian put on paper. In particular, the historical battle sequences are riveting. The reader al

A year ago I read "Master and Commander" and was impressed. A month ago I read "Post Captain" and was hooked. Now I've read eleven of the installments of what has to be one of the great novels of the century. "The Fortune of War" is an epic, moving installment that works on many levels. Although a Yankee, I can't help but feel for Jack and the Brits as they try to salvage some honor from the War of 1812, a rather dishonorable war for all concerned. Who could fail to be moved by the image of the Constitution holding its fire rather than destroy the helpless Java? Or Captain Lawrence tipping his hat to Jack from the deck of the Chesapeake, only to be killed immediately afterward (O'Brian doesn't mention that it was Lawrence who said "Don't give up the Ship"). The battle scenes are thrilling but tinged with regret. In order to fit Jack and Stephen into actual historical events O'Brian has to put them into the background, and we share their anguish as one British ship after another falls victim to the tiny but tough American navy. Remember, this is during the Napoleonic wars, and the Americans were effectively allied with the Hitler of that day. This book was apparently written with Homer in mind. Jack and Stephen are unwilling participants in historical events, when all they really want to do is to go home, Jack to a new command (so he can come back and whip the Americans) and Stephen to deliver an important message to Sir Joseph. In between battles, shipwreck, near starvation, and certain execution, O'Brian finds time to consider timeless notions of duty, honor, loyalty and freedom.