Five Chinese Bros Pa

There is something about the magical that deeply appeals to children. That's why fairy tales are so beloved by them. Even folk tales, a more realistic spin-off of fairy tales, are also favorites of children. No exception is "The Five Chinese Brothers," written by Claire Hucket Bishop and illustrated by Kurt Wiese. This 1938 publication is still in print, testifying to its popularity. The call of political incorrectness just does not apply here. These five brothers are identical, not because all Chinese people look alike, but because they are quintuplets. Does the story say so? No, but it only figures... These five brothers--each has a unique gift, each strange, but nevertheless, their gifts are what this story is about. The first brother can swallow the sea, the second has an iron neck, the third can stretch his legs indefinitely, the fourth cannot be burned, and the fifth can hold his breath indefinitely. So the first takes a child fishing and uses his sea-holding ability so that the child can pick seashells and the like normally hidden under the water. Sad, but the little boy is headstrong and won't return to shore, the brother lets out the sea, and the boy disappears. The brother is going to be executed by axe. He asks to go say goodbye to his mother and switches with his second brother whose neck cannot be hurt. And so on with each brother who is to be punished by death. Finally, after the fifth try, the judge sets him free. He returns home and lives happily with his brothers and mother. Children love this book because it strikes their fancy: wild abilities, escape from punishment, astonishment of the town folk, and freedom. I can see that.

As a child this was one of my favorite tales. I am of asian descent and I was never offended by the images. I didn't find it scary, just fascinating. It was a tale that really let the imagination soar. People should be racially sensitive but not paranoid. In this era of cultural diversity, we should be able to see the humor. The caricatures are innocent not disrespectful. I feel bad for children whose parents feel the need to censor this from them. It is a fun, timeless story I plan to share with my children.

This charming book has taken a lot of heat in recent years for not being politically correct enough to suit modern sensibilites. The author and artist have been accused of non-PC conduct, the most famous charge being the representation of all Chinese as looking alike through out the book. I remember reading this book as a young child back in the 60s and being entranced by its clever story of five look-alike brothers with supernatural powers who save their own from an unjust punishment. I've thought of this book many times over my 45 years, remembering it with a fondness and awe unmatched by many other books--children's or no, that I have read. I have only recently revisited this fondly remembered favorite, all too mindful of the criticisms launched against it, paying close attention to the text and art.The book, originally written in 1938, deserves to be judged not by our modern sensibilities, but for where the world was at the time it was written. Keeping that in mind, the book becomes less the poster child for racism than a respectful retelling of an old Chinese folktale. Careful study of the artwork will reveal that aside from the identical brothers (and their resemblance to each other IS an unassailable plot point from the original folk story)there is as much effort placed into creating depictions of peripheral characters as there generally is in any children's book. The pen and watercolor wash drawings are simplified as one would expect for the age group that is the target audience, but each person rendered is an individual in facial expression, hair style and dress. Complaining of the sameness of all Chinese depicted becomes mystifying--as aside from similar dress and skin tone used the charge proves to be specious. (And I don't hear anyone complaining the the "Where's Waldo" series was racist and again there, the resemblance of all people depicted is a plot devise to provide the puzzle).If the criteria of our modern world is not met by a nearly 70 year old book, we are wasting too much time clucking over the artifacts of the past and not doing enough to improve racial unity in the real world. Chances are this charming tale won over many a young heart in is 64 years and possibly even compelled some of those young readers to explore Chinese culture and myth more closely.

I read this book in upstate NY in the early 1950s, when I was about 7 years old. Never did I think that someday I would move to Asia, learn to speak Chinese and become an author of books about Asia myself. While it was first published in 1938, through research, I determined that the narrative is based on an earlier book that made its initial appearance in English in 1893! And here's a message for the political correctness police out there: it's an authentic Chinese folk tale in its own right. If you're trying to wean a kid away from TV or video games and nurture a love for good books, this is the place to start.

This is one of my absolute favorite children's stories. I would always make my mother get it from our public library. I know the story by heart, and I haven't heard it or read it in over 10 years!! The story is simple but so entertaining. I remember being amazed at the 'special powers' each brother had. I also thought it was nice how the brother would always ask for permission to say goodbye to his mother and brothers before each new execution attempt. This is a great folk tale that easily captivates the attention and imagination of young children. The illustrations are wonderful as well, and make this book great for story time....