The Films of Akira Kurosawa, Third Edition, Expanded and Updated

Richie shows a passion for one of the world's greatest filmmakers in the history of cinema. He focuses on the films themselves instead of relying to much on biographical information to show the real Kurosawa. He looks at all of his films regardless of their obscurity. I think the great thing about Richie is his particular attention to how moving and humanistic Kurosawa's movies were and still are. Richie argues that his humanism is what allows KUROSAWA to stand head and shoulders above most filmmakers. The film stills are the real treasure in this book. They give a unique look at the films as artistic masterpieces, and how Kurosawa made good use of his training as a painter in his early years. All in all this book is absolutely essential for people who love film in general and Kurosawa fans.

"The Films of Akira Kurosawa" is a great introduction to Kurosawa. In both physical size and length, it is an unintimidating invitation to those seeking to learn more about a director whose films they enjoy. It is the most visual of Kurosawa studies, which is nice considering that films are a visual medium. There are both candid on-set shots as well as film stills.The book is designed for browsing, and does not need to be read front to back. A reader can easily skip around to the films that they are interested in. The writing is casual, and reads easy. Too many Kurosawa books read like college texts, and Donald Richie fills a niche by supplying a book for the casual reader.The only drawback to "The Films of Akira Kurosawa" is that your interest will be sparked for many films that are not readily available. You will embark on a treasure hunt, seeking out rare gems such as "Drunken Angel," "The Bad Sleep Well" and "Throne of Blood."To add to the author's credentials, Donald Richie supplies the commentary track on the Criterion Collection DVD of "Roshomon."

I was most impressed with this book - the neat layout, the methodical approach of dealing with each film, the lavish screenshots and the impressive knowledge the author has of his subject. Most of all however, i really appreciated the way in which Richie makes absolutely clear all his ideas - even to a reader who had very little knowledge of cinematography or film criticism like myself. This is not to say the content of this book is simple, moreover it is presented in a way which anyone can understand. Richie's style is refreshingly fluid and jargon-free which makes the book very easy to read, unlike many critical volumes which are verbose and long-winded. There are many films in this book which i have still not seen, but it has really sparked my interest in Kurowasawa and his films. If you wish to obtain a concise but thorough grounding in the critical ideas relating to this brilliant directors work, then this book is ideal for you.

My mother took me to the first Kurosawa film I can remember ("Ikiru") when I was probably about five. I was not in a position to appreciate it then, of course, but a couple of images stuck with me forever. I saw a few more Kurosawas in high school, fortunately -- the earlier, butchered "Seven Samurai," "Yojimbo," possibly one or two more -- and many others when I got to college in Boston.Kurosawa was one of the true artistic geniuses of the twentieth century. His career as a screenwriter began during the Second World War and as a director shortly after it. Despite the strange culture and often historic settings of his stories, Kurosawa is perhaps the most "Western" of Japanese film directors up to the 1970s. The plots have a clarity, and the action (Samurai sword battles, for instance) a vibrancy, that grip a viewer in a way lesser filmmakers on both sides of the Pacific cannot hope to match.His work has probably influenced more other filmmakers than any director in or out of the US. Other reviewers have named names; as to specific works, "Rashomon" was remade as "The Outrage," "Seven Samurai" turned into "The Magnificent Seven," "Yojimbo" became "A Fistful of Dollars," and "The Hidden Fortress" inspired "Star Wars." In turn, Kurosawa made films based on the plots of "Macbeth," "King Lear," Dostoevsky's "The Idiot," and Gorky's "The Lower Depths."Richie's book does this incredible writer and director's work full justice. His discussion of plotting, acting, editing technique, and all the other aspects of this great artist's work only deepen one's appreciation for what already loves on screen. I have an original hardcover copy as well as the third revised edition in paperback.

This is simply an excellent book. It thouroughly chronicles all of Akira Kurosawa's movies. It's chock full of detailed breakdowns of the story, production and post production of all of Kurosawa's films. Let me add that ALL of Kurosawa's movies are discussed in detail.There is also a section towards the end in which Kurosawa talks about his philosophy on the elements of filmmaking. I found this section to be extremely invaluable. I understand why filmmakers like Steven Speilberg and George Lucas were influenced by his work. If you love Akira Kurosawas films, this is the book to get. Do yourself a favor and pick it up.