The Farthest Shore (The Earthsea Cycle, Book 3)

Book had library ink stamps on front, back, edges. The jacket/dust cover was taped to the book, which ruined the hardcover. The cover that was pictured is not the edition in the description.

This audio tape has an excellent reader and the words flow beautifully into the mind to create a total otherworld that is enchanting. i listen to this tape to escape the world and to understand it at the same time!

LeGuin's third book in her Earthsea series is her most ambitious. Her thesis: you can only become whole by facing and accepting death, the darkest shadow. Lifted straight from Jungian psychology, this is the hardest and the important part of being whole. Sparrowhawk knows most of this truth already: remember the climax to Wizard of Earthsea. Arren, the young prince who accompanies Sparrowhawk on the epic voyages of this third book, has not yet learned this harsh lesson.You don't need to know anything about Carl Jung to read and enjoy this book. At one level, this is a children's tale. But this book has many levels. Consider: the last king, Maharrion, had prophesied that there would be no king to succeed him until one appeared who had crossed the farthest shore. I'm not giving anything away by telling you that the farthest shore is physical - the western shore of the westernmost isle of Earthsea and metaphysical - death. And readers of earlier books know that for the wizards of Earthasea, there is a low stone fence that separates the living from the dead.There is another wizard - humiliated by a younger Sparrowhawk - who has both great power and a terror of death. And he has worked a spell that will devastate the world, by denying and avoiding death. But by denying death, he has denied life, and magic, song, joy, reason and even life are draining out of the world. That spell must be undone before it is too late. And that task falls to Sparowhawk and Arren.Arren must learn to understand and accept that death is necessary. Not just in the abstract but personally. He must cross that low stonewall with no hope of returning. He must cross the final shore. This story has dragons, despair, joy, loss, discovery and marvelous surprises. Like all of the Earthsea books, it is sparely but beautifully told. The deepest of the first three books, it is an absolute joy. And for a thoughtful, reflecting reader, it might be even more. This is a book that can change a reader's life.

The Farthest Shore is a story of a young prince name Arren who comes to Ged, the archmage at Roke to tell him of a magic drain in Earthsea. Roke is a magical island in which magic flows fluently and apprentices learn magery. They set out on the Lookfar, a sailing ship, to Hort Town, Lorbannery, and Dragon Run, 3 cities in Earthsea in search of the source of the magical drain. At dragon run they find dragons dying because they have lost their speech and they have become savages. A dragon named Orm Embar leads them to an island where they believe that there is a hole in Earthsea. They meet an evil wizard and are forced to battle him. The new character of Earthsea is named Arren. He is a prince, and a descendent of Morred, a famous king in Earthsea. He has no magical powers unlike his father who is a king. He has a magical sword, which throughout the story seems to be just a sword, but helps Arren out greatly in the end to destroy his enemies and protect Ged. He is very unsure of himself and his concept of betrayal trips him up. He helps Ged to solve the mystery and is a fun twist to the story of Earthsea. I would recommend this book with extreme prejudice because I personally am a fan of knights and magic and dragons. This book really is the best of all of the four Earthsea books.

I first read the Earthsea Trilogy at the age of 9. I re-read it at secondary school at 17, during a moody teenager phase. Now I read it to children to whom I teach English. I am struck every time by how many different layers of meaning dwell in le Guin's text. I think the technical word is polysemic. It appeals to children, teenagers and adults by offering something to each, though ultimately offering the same to all: drama, adventure, and a fearless assault on the big issues that confront every one of us. Birth, life, death. And always in original, often startling or beautiful ways. Le Guin's use of language is sublime too; she has an absolute mastery of how long a sentence should be, what the words in it should sound like and what 'rhythm' a sentence should have. Moving explorations of life's great questions, investigated with originality and sophistication, harnessed to a dramatic adventure story, conjuring up grand vistas of new and thrilling worlds, created through a command of language and imagery as fine as any I have ever come across and made alive through characters that a child can warm to and an adult love. What a book.