The Englishman's Boy

In this age of pop culture and instant bestsellerdom for many books whose primary value seems to be their bankability as future films, it's disappointing that a book this good remains relatively unknown. Yet author Vanderhaeghe probably would not have been surprised by this. In fact, one of the main themes of this absorbing and satisfying book is the power of film, "the glory of American lightning," and the different goals to which it can be adapted by "artists" and "visionaries." Structurally, the book tells two stories in alternate chapters set in the Canadian Wild West of the l870's and in Hollywood in the l920's. The author makes no real attempt to create suspense about the identity of the Englishman's boy of the 1870's and who he has become by the 1920's. Instead, he chooses to reveal small parts of the continuum of history between these dates until at the end the full story of the Englishman's boy is revealed. At the same time, the thematically subtle juxtaposition of specific events from these dramatically different times and places shows how little human nature has changed and how much it is important to be true to ideals and values, whatever they may be and however they may have to accommodate the changes of history.

Had this beautifully wrought novel not received some publicity for winning the Governor General's Award in Canada in l996, I'd never have known of its existence, and what a sad oversight that would have been in this age of pop culture and instant bestsellerdom for many books whose primary value seems to be their bankability as future films. Yet author Vanderhaeghe probably would not have been surprised by this. In fact, one of the main themes of this absorbing and satisfying book is the power of film, "the glory of American lightning," and the different goals to which it can be adapted by "artists" and "visionaries." Structurally, the book tells two stories in alternate chapters set in the Canadian Wild West of the l870's and in Hollywood in the l920's. The author makes no real attempt to create suspense about the identity of the Englishman's boy of the 1870's and who he has become by the 1920's. The author has a bigger vision than that. Instead, he chooses to reveal small parts of the continuum of history between these dates until at the end the full story of the Englishman's boy is revealed. At the same time, the thematically subtle juxtaposition of specific events from these dramatically different times and places shows how little human nature has changed and how much it is important to be true to ideals and values, whatever they may be and however they may have to accommodate the changes of history. In this astutely crafted story of wolfer/hunters, Indians, Hollywood moguls, young strivers toward success, Socialists, preservers of the status quo, barely surviving traders, immigrants, hard men, and "visionaries" who would impose their dreams on the masses via film, the reader is caught up in the swirl of history and asked to think about the extent to which history is simply a succession of random events, whether the events have been imposed upon us, and how much, if at all, we can control our own dreams and our futures

I have read this novel three times in the past three years and every time that I have completed it, my admiration for Vanderhaeghe's astounding writing talent has grown. It is impossible not to feel as though you are a bystander watching the events, which Vanderhaeghe describes, unfold. You can taste the dust of the Canadian West, you can hear the brimming cacophony of 1920's Hollywood and you can sense the pain of the characters. This brilliant novel is only one title from Vanderhaeghe's fantastic literary history. I have read all of his pieces of fiction and I highly recommend each and every novel or short story. On more than one occasion, one of his novels has forced me to cancel whatever I planned for that day in favour of finishing that work. He is clearly one of best writers that I have ever read.

One of the most brilliant novels I have ever read. I actually finished this novel in one sitting and believe me that's an incredible accomplishment for me. It's an excellent inter-twining of 1920s hollywood with the 1870s wild west (which by the way is based on historical fact). A very interesting plot tied in with some very intelligent social commentary.

Had this beautifully wrought novel not received some publicity for winning the Governor General's Award in Canada in l996, I'd never have known of its existence, and what a sad oversight that would have been in this age of pop culture and instant bestsellerdom for many books whose primary value seems to be their bankability as future films. Yet author Vanderhaeghe probably would not have been surprised by this. In fact, one of the main themes of this absorbing and satisfying book is the power of film, "the glory of American lightning," and the different goals to which it can be adapted by "artists" and "visionaries." Structurally, the book tells two stories in alternate chapters set in the Canadian Wild West of the l870's and in Hollywood in the l920's. The author makes no real attempt to create suspense about the identity of the Englishman's boy of the 1870's and who he has become by the 1920's. The author has a bigger vision than that. Instead, he chooses to reveal small parts of the continuum of history between these dates until at the end the full story of the Englishman's boy is revealed. At the same time, the thematically subtle juxtaposition of specific events from these dramatically different times and places shows how little human nature has changed and how much it is important to be true to ideals and values, whatever they may be and however they may have to accommodate the changes of history. In this astutely crafted story of wolfer/hunters, Indians, Hollywood moguls, young strivers toward success, Socialists, preservers of the status quo, barely surviving traders, immigrants, hard men, and "visionaries" who would impose their dreams on the masses via film, the reader is caught up in the swirl of history and asked to think about the extent to which history is simply a succession of random events, whether the events have been imposed upon us, and how much, if at all, we can control our own dreams and our futures.