In her long-anticipated fourth collection, The Engineers, Katy Lederer draws on the newfangled languages of reproductive technology, genetic engineering, and global warming to ask the age-old questions: What is "the self"? What is "the other"? And how to reproduce "one's self"? In poems that are both lyrical and playfully autobiographical, Lederer imagines form as a kind of genetics, synthesizing lines out of a rigorous constraint. Things can...
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Poetry