The Emperor: Downfall of an Autocrat

This is a very unique book presenting a seemingly casual investigation of the last days of Haile Selassie's reign in Ethiopia. Note that this is not a history of Ethiopia or Selassie's reign, so prior knowledge on these subjects would be an advantage. Kapuscinski offers clandestine interviews with members of the Emperor's court and ministries, as they watched the slow and rather bizarre downfall of the autocrat. While non-Ethiopians often see Selassie as an enlightened visionary and Moses-like leader of his people, the reality was much different closer to home. Here we find an entrenched demagogue more concerned with preserving his power with little knowledge of the lives of his subjects. He surrounded himself with yes-men with the same self-preserving motives, and like any fading dictator he regularly purged anyone even remotely connected to independent thinkers. In one interview, a member of the court regrets sending his son to college, as the young man became infested with ideas that were not loyal to the Emperor, though they were probably accurate. Kapuscinski's anonymous subjects underhandedly point out their leader's faults while constantly heaping titles on him like "His Enlightened Majesty" or "His Benevolent Highness." This indicates the leader's cult of personality and his employees' pathological fear of losing his favor. We then see the classic fall of an out-of-touch despot, as he was ousted in one of the weirdest revolutions of all time. This unique book seems like lightweight reporting at the surface, but ultimately offers numerous lessons in power and corruption, and Selassie's story offers many parallels for autocrats around the world and throughout history. [~doomsdayer520~]

Ryszard Kapuscinski's ability to get "inside" the foreign conflicts he covers is quite remarkable.In "The Emperor," Kapuscinski details the rise and fall of Ethiopian King Haile Selassie who, for nearly his entire reign, was regarded as a god on earth by his people. In stark prose and devastating imagery, Kapuscinski lays out the excesses of the Selassie regime - excesses that ultimately led to Selassie being overthrown. In one particularly moving passage, Kapuscinski describes how leftover food from a regal banquet is thrown down from a window in the King's mansion to starving townspeople nearby. In that passage, Kapuscinski lays out the line between the lavishness in which Selassie basked and the squalor in which most of his subjects existed.Arguably, the single greatest aspect of Kapuscinski as a journalist is his healthy respect for -- and knowledge of when to provide - the history of the place he's covering. In "The Emperor," Kapuscinski provides sufficient background on the Ethiopian conception of rulers as deities, as well as good detail about the wholesale slaughter of Ethiopians during the war with Italy in 1935. But he doesn't overdo it with the history, and that's what makes Kapuscinski's writing so good. As his later books, such as "Imperium," about the fall of the Soviet Union, show, Kapuscinski is a much better reporter than he is a historian. When he is writing about wars, revolts, uprisings, or other events he is witnessing firsthand, Kapuscinski is at his best.Of all the works Kapuscinski produced during his years with the Warsaw News Agency, "The Emperor" is probably the best. As with "Another Day of Life," Kapuscinski's book about the Angolan Civil War, "The Emperor" lays bare a tyrannical political regime, and provides insights into why it collapsed.

I hate to write anything negative about this book because it is so highly original. The approach, that of relying upon interviews with former palace insiders, would be incredibly effective were it not for the fact that the author decided to embellish their descriptions. Had he not done so, this would be one of the all-time great descriptions of autocratic excess. Still, this description of life within the Ethiopian royal palace during the last days of the reign of Hailie Selassie (a hero in the West because of his successful opposition to the Italian invasion preceding World War II) provides a fine description of the sycophants, bullies, and idiots who hang around to lick up the slops as a totalitarian regime enters its final days. Well worth reading. If you like this book, you may be interested in The Ends of the Earth: A Journey at the Dawn of the Twenty-first Century by Robert D. Kaplan.

All hail His August Majesty!! That is what Haile Selassie heard from a nation of people that worshipped, but feared the King of Kings. During his most powerful years as Emperor of Ethiopia His Imperial Majesty was the most powerful person in this ancient culture. As Kapuscinski relates through eloquent anecdotes, his power and national approval would soon change. The book is structured into three chapters, The Throne, It's Coming, It's Coming, and The Collapse. Imperial Palace inhabitants relate stories that describe the feelings and attitudes of those closest to the Emperor. Kapuscinski gives you a sense of what it was like to be in the palace in times of great affluence and abundance. Just when you thought it could not get any better, the feeling of revolution sets in. He describes how the people began to tire of the monarchy, loose respect for power, and grow increasingly hungry. It was captivating to read how the dignitaries tried to hold on to their imperious way of life, while the revolution was taking place outside the palace gates. This book takes you inside the palace during crucial times of Haile Selassie's reign. You get a sense of what the people were thinking, but did anyone ever know what Haile Selassie was actually thinking?

Reading this nonfiction account of Haile Selassie's long goodbye, the reader soon shares the sentiments expressed in the book by some Ethiopian students, "My God, how can anything like this exist?" Kapuscinski's assembled witnesses tell tales of a bizarre and surreal empire no writer of fiction could ever imagine. This book is filled with memorable and evocative passages - scenes of rag-clad beggars fighting for scraps from the opulent banquet going on just feet away; of once-dignified and imperious courtiers squabbling over blankets as they wait to be dragged away to prison by the members of a military junta; and, most pathetically, of a washed-up and defeated emperor hiding his money in a set of holy books and under a carpet to prevent it from being taken away to be "nationalized." While this is ostensibly the story of Haile Selassie's fall from power, excised of names, places and dates it becomes the story of any dictator's seedy demise. As such it makes an interesting companion to Gabriel Garcia Marquez's classic, "The Autumn of the Patriarch," another powerful work on the decay of dicatorial authority. At turns humorous and horrifying, amusing and appaling, ridiculous and realistic, "The Emperor" makes worthy and unforgettable reading, both as history and as great literature